Catalog [of the] exhibition at the Anderson Galleries of works of art donated for the benefit of the American-British-French-Belgian Permanent Blind Relief War Fund, May 11 to May 25, 1918

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THE EYES OF LOVE
By JOHN NEWTON HOWITT

CATALOGUE

EXHIBITION AT THE ANDERSON GALLERIES OF WORKS OF ART
DONATED FOR THE BENEFIT OF THE AMERICAN BRITISH-
FRENCH-BELGIAN PERMANENT BLIND RELIEF WAR FUND
. _ MAY ii TO MAY 25, 1918

T

American Section

Under the high patronage of Wood row Wilson,
President of the United States.

British Section

Under the high patronage of His Majesty the
King, Her Majesty the Queen, and Her Maj-
esty Queen Alexandra.

French Section

Under the high patronage of M. Raymond
Poincare, President de la Republique.

Belgian Section

Under the high patronage of His Majesty King
Albert and Her Majesty Queen Elizabeth.

AMERICAN

BRITISH

FRENCH

B ELGIAN

Permanent Blind Relief War Fund

For Soldiers and Sailors

(Founded by Mr. and Mrs. George A. Kessler)

Headquarters: 590 Fifth Avenue, New York
75 Avenue des Champs-Elysees, Paris

Executive Committee

GEORGE ALEXANDER KESSLER,

Chairman
LADY (ARTHUR) PAGET
VINCENT ASTOR
EDMUND L. BAYLIES
AUGUST BELMONT
GEORGE BLUMENTHAL
HON. THOMAS P. GORE
HON. MYRON T. HERRICK
OTTO H. KAHN
CHAUNCEY McCORMICK
SIR ARTHUR PEARSON, Bt.
WHITNEY WARREN
JOSEPH WIDENER

Hon. Advisory Committee

HON. ROBERT BACON
HON. ELIHU ROOT

Hon. Treasurers

SIR EDWARD HOLDEN, Bt., Chairman

London City and Midland Bank.
M. GEORGES PALLAIN,

Governor-General of the Bank of France.
EUGENE V. R. THAYER,

President Chase National Bank, New

York.

Hon. Secretaries
MRS. GEORGE A. KESSLER
MRS. R. VALENTINE WEBSTER
MRS. HARRY PAYNE WHITNEY

British Committee

SIR ARTHUR PEARSON, Bt., Chairman,
President of St. Dunstan's, Regent's Park,
London, and of the Committee of the Na-
tional Institute for the Blind, London.

Comite Directeur Francais

EUGENE BRIEUX, de l'Academie Franchise,

President.
LOUIS BARTHOU, Ancien President du Con-

scil des Ministres.
LE GENERAL FLORENTIN, Grand Chan-

celier de POrdre National de la Legion

d'Honneur.
DAVID-MENNET. President de la Chambre

de Commerce de Paris.
M. MOREL, Gouverneur du Credit Foncier

de France, Tresorier.
EUGENE SCHNEIDER, Maitre de Forges.
LE DOCTEUR VALUDE. Medecin-Chef de

la Clinique de l'Hospice National des

Quinze-Vingts.

Please make all checks, money orders, etc., payable to

EUGENE V. R. THAYER, Hon. Treasurer

A.-B.-F.-B. PERMANENT BLIND RELIEF WAR FUND

590 Fifth Avenue, New York

f-

A

*

To the Public

v^tt^j^/l VE RY one of the works of art in this exhibition was

V§ ij f' - donated most generously and gladlr bv artists, art col-

%~y > lectors and dealers to be shown and sold for the benefit

" of the American-British-French-Belgian Permanent

Blind Relief War Fund.

We ask you to buy them at the value placed upon them by
the donors.

From the human debris of the greatest battle in all history
now raging on the French front large numbers of blinded men —
helpless, crushed, suffering the extreme of mental and physical
agonv — are being taken, complicating the cruellest and most
shocking problem that has grown out of any war since the be-
ginning of time — what to do with many thousands of soldiers
incapacitated by the loss of their sight. And the battle is ex-
pected to last for months.

Before this battle started every available institution in
France had been found distressingly inadequate for taking care
of these stricken heroes who have sacrificed their eyes to save
from a fate far worse than death their loved ones and yours, and
the American-British-French-Belgian Permanent Blind Relief
War Fund had taxed its resources to the utmost to meet the
situation. The Fund is supported by the public throughout
the United States and its purpose is well known. It maintains
under direction of the French Government five institutions in
France for the rehabilitation of totally blinded soldiers — practi-
cal, constructive work that turns a hopeless, despairing wreck
into a self-reliant, self-respecting, contented member ot the com-
munity fully able to earn a good living for himself and family.

Because of the appalling number of blinded men pouring
into Paris an additional call has now been made upon the Fund
In' the Government of France, as a result of which it has taken
over the Chateau de Madrid, a famous mediaeval structure in
the Bois de Boulogne, well known to every American who has
visited Paris, and the Chateau de Rochecorbon, near Tours.
The streams of blinded passing through the base hospitals, those
ports of broken men, make it certain that still further demands
will be made upon us. As Mrs. Kessler writes from Paris, where
she is devoting her time day and night and her private resources
to help the cause along:

"Here, on the edge of this Inferno, of this swirling pit of hor-
ror, our American institutions must at all cost be maintained
until they have accomplished their holy mission."

You will be the more anxious to help this unselfish, most
merciful and wholly constructive work of relief now that our
American legions are fighting, suffering and dying at the front.

\S

Executive Council of the Exhibition

Harry W. Watrous, N.A., Chairman
Howard Russell Butler, N.A.
William A. Coffin, N.A.
Charles C. Curran, N.A.
Daniel C. French, N.A.
Francis C. Jones, N.A.
Carman Messmore
Hobart Nichols, A.N.A.
Chauncey F. Ryder, A.N.A.
George H. Story, A.N.A.
Robert W. Van Boskerck, N.A.
J. Alden Weir, N.A.

Honorary Committee of Artists

Katherine Langhorne Adams
Joel Nott Allen
Leroy Barnett
Carle Michel Boog
Frederick James Boston
Irene Brown
Charles H. Caseau
Mountford Coolidge
Genevieve Almeda Cowles
Caroline H. Caffin
Royal Cortissoz

Art Critic, New York Tribune
Katherine S. Dreier
Charles de Kay, Art Critic
Benjamin Eggleston
Edmund Lewis Ellis
John William Evans
George P. Ennis
Hamilton E. Field
Maurice Fromkes
Kathryn Gray
John Gregory
Sydney K. Hartman
Victor D. Hecht
Eugenie M. Heller
Carl Hirschberg
Ferdinand Howald

John Newton Howitt

Charles H. Humphriss

Eugene Arthur Jones

Rollin Kirby, N. Y. World Cartoonist

Elizabeth A. Knowles

James Knox

Jonas Lie

Clara Taggart MacChesney

Edith M. Magonigle

Stanley Middleton

Eugene H. Morahan

James P. McRickard

Charles Austin Needham

George F. Of

Walter Pach

Henry Grant Plumb

Dorothy Rice

Harry Roseland

Bernard Jacob Rosenmeyer

Harry Stoner

Agnes Gabrielle Tait

Mary H. Tannahill

Sallie B. Tannahill

James B. Townsend

Editor American Art News
Robert Vonnoh, N.A.
Abraham Walkowitz

Patrons and Patronesses

DR. E. A. ALDERMAN

President University of Virginia
ELIAS M. AMMONS, Denver, Colo.
MRS. JOHN ASTOR, London, England
H. M. ATKINSON. Atlanta, Ga.
GROSVENOR ATTERBURY, New York
DR. SAMUEL AVERY

Chancellor University of Nebraska
DR. BROWN AYRES

President University 0/ Tennessee

JULES S. BACHE, New York
GEORGE F. BAKER, New York
DR. JAMES H. BAKER

President Emeritus University of Colorado
HON. NEWTON DIEHL_ BAKER

Secretary of War
DR. W. J. BATTLE

President University of Texas
MRS. !. STEWART BARNEY. New York
MRS. JASPER BAYNE. New York
HON. lAMES M. BECK, New York
MRS. O. H. P. BELMONT, New York
DR. GUY POTTER BENTON

President University of Vermont
REV. DR. ISRAEL BETTAN. Charleston, W. \ ...
HARRY S. BLACK, New York
CORNELIUS N. BLISS. Jr., New York
DR. GEORGE F. BOVARD

President University Southern California
R. R. BOWKER, New York
DR. EDGAR EWING BRANDON

Dean Miami University
MRS. EDWARD N. BREITUNG, New York
BISHOP CHAUNCEY B. BREWSTER, Hartford, Conn.
MRS. IRVING BROKAW, New York
JAMES CROSBY BROWN, Philadelphia, Pa.
JOSEPH G. BROWN, Raleigh, N. C
HON. W. W. BUNN, Philadelphia, Pa.
HON. ALBERT SYDNEY BURLESON

Postmaster-General

DR. M. L. BURTON

President Smith College

SIR ANDREW CAIRD, New York

REV. DR. EDWARD N. CALISCH, Richmond, Va.

DR. P. L. CAMPBELL

President University of Oregon.
ROBERT D. CAREY, Careyhurst, N. Y.
HIS EXCELLENCY M. E. DE CARTIER

Minister of Belgium
C. W. CHANDLER, Wichita, Kans.
MRS. WILLIAM ASTOR CHANLER, New York
MRS. HOBART CHATFI ELD-TAYLOR, Lake Forest, III.
LOUIS R. CHENEY, Hartford, Conn.
PERCY CHUBB, New York
HON. WILLIAM A. CLARK. New York
EMORY W. CLARK, Detroit, Mich.
LEWIS L. CLARKE. New York
MRS. HENRY CLEWS, New York
MRS. W. BOURKE COCHRAN, New York
W. BOURKE COCHRAN. New York
DR. RUSSEL H. CONWELL, Philadelphia, Pa.
WILLIAM H. CROCKER, San Francisco, Cal.
HON. GRAFTON D. CUSHING, Boston, Mass.
MRS. C. C. CUYLER, New York

J. H. DANBY, Wilmington, Del.
HON. JOSEPH! S DANIELS

Secretary of the Navy
MRS. WILLIAM ADAMS DELANO, New York
DR. GEORGE H. DENNY

President University of Alabama

MRS WILLIAM DISSTON, New York
MRS. CHARLES H. DITSON, New York
EDWARD L. DOHENY, Los Angeles. Cal.
J. F. DOWNING, Kansas City, Mo.
IOHN R. DREXEL, Philadelphia, Pa.
F. A. DRURY. Worcester, Mass.
DR. C. A. DUNIWAY

President Laramie University
T. COLEMAN DU PONT, New York "

J. L. EDWARDS, Burlington, Iowa
DR. CHARLES W. ELIOT

President Harvard University
REV. SAMUEL A. ELIOT, Boston, Mass.
SAMUEL S. EVELAND, Bryn Mawr, Pa.

SAMUEL W. FAIRCHILD, New York
BISHOP SAMUEL FALLOWS. Chicago. III.
CARDINAL JOHN FARLEY, New York
PROF. HENRY W. FARNAM. New Haven. Conn.
DR. LIVINGSTON FARRAND

President University of Colorado
WALTER FARWELL. Syosset, L. I.
BERNARD FAYMONVILLE, San Francisco, Cal.
DR. THOMAS FELL

President University of Maryland
CHARLES H. FISK, Covington, Ky.
REV. DR. CHARLES FLEISCHER, Boston, Mass.
HORACE FLETCHER, New York
LAMES B. FORGAN, Chicago, III.
JOSEPH N. FRANCOLINI, New York
REV. DR. LEO M. FRANKLIN, Detroit, Mich.
HENRY CLAY FRICK, New York

REV. PAUL REVERE FROTHINGHAM. Boston, Mass,
BISHOP JAMES B. FUNSTEN, Boise, Idaho

LYMAN J. GAGE, San Diego, Cal.
BISHOP THOMAS F. GAILOR

University of the South
D. L. GEROULD, Warren, Pa.
CARDINAL JAMES GIBBONS, Baltimore, Md.
C. DANA GIBSON. New York
VIRGINIA C. GILDERSLEEVE

Dean Barnard College
REV. CHARLES W. GILKEY, Chicago, 111.
GEORGE J. GOULD, New York

H. T. S. GREEN. New York

HON. THOMAS WATT GREGORY

Attorney-General
MRS. BENJAMIN GUINNESS, New York
REV. DR. WILLIAM H. GREENBURG, Dallas, Tex.
MRS. CHARLES GREENOUGH, New York
HISIH il' l)A\ III II liREER, V ■•■ York
HON. B. W. GRIFFITH, Vicksburg. Miss.
H. B. GROSS. England
F. W. GUNSAULUS

President Institute of Technolorv, Chicago
REV. WM. NORMAN GUTHRIE, New York
EARL S. GWIN. Louisville. Ky.

MOST REV. EDWARD J. HANNA, San Francisco, Cal.

MRS. OLIVER HARRIMAN. New York

DR. A. W. HARRIS. New York

REV. DR. LEON HARRISON, St. Louis, Mo.

COL. GEORGE HARVEY. Deal, N. J.

THOMAS HASTINGS, New York

J. A. HAYES, Colorado Springs, Colo.

MRS. WILLIAM RANDOLPH HEARST, New York

REV. DR. S. HECHT. Los Angeles, Cal.

REV. DR. MAXIMILIAN HELLER, New Orleans, La.

ALEXANDER J. HEMPHILL, New York

DR. ARCHER W. HENDRICK

President University of Nevada

DR. JOHN GRIER HIBBEN

President Princeton University

DR. A. R. HILL

President University of Missouri

REV. JOHN HAYNES HOLMES, New York

LOUIS J. HOROWITZ, New York

J. T. HOWELL, Nashville, Tenn.

BISHOP EDWIN H HUGHES, San Francisco,

GEORGE EDWARD IDE, New York
SAMUEL INSULL, Chicago, 111.
MRS. SAMUEL INSULL, Chicago, 111.

Cal.

MRS. POTTER PALMER, Chicago, 111.
MRS. C. PARSONS. San Francisco, Cal.
JAMES A. PATTEN, New York
HON. JAMES G. PATTEN, Chicago, 111.
DR. JOHN L. PATTERSON

President University of Louisville
ROBERT A. PATTERSON, Tarrytown, N. Y.
R. A. PEARSON

President Iowa State College of C. and A. Art*
DR. W. CAMPBELL POSEY. Philadelphia, Pa.
MRS. CHARLES A. POTTER, Philadelphia, Pa.
MRS. JOSEPH PULITZER, New York
MAJOR GEORGE HAVEN PUTNAM, New York

E. C. JAMESON, New York
DR. DAVID STARR JORDAN

President Stanford University

REV. J. H. JOWETT, New York

MRS. OTTO H. KAHN, New York

REV. DR. BERNARD M. KAPLAN, New York

LOUIS G. KAUFMAN, New York

MISS HELEN KELLER, Wrentham, Mass.

DR. WILLIAM J. KERR

President Oregon Stale Agricultural College
DR. J. T. KINGSBURY

President University of Utah
ROLAND F. KNOEDLER, New York
REV. DR. LOUIS J. KOPALD, Buffalo, N. Y.
REV. NATHAN KRASS. Brooklyn

HON. FRANKLIN KNIGHT LANE

Secretary of the Interior
HON. ROBERT LANSING

Secretary of State
BISHOP WILLIAM LAWRENCE, Boston, Mass.
JOSEPH LEITER, Washington, D. C
MAURICE LEON, New York
GASTON LIEBERT

Consul General of France, New York
MRS. NICHOLAS LONGWORTH, Washington, D. C.
EUGENE LEVERING, Baltimore, Md.
DR. JOHN L. LOWES

Dean Washington University
MRS. PHILIP LYDIG, New York
REV. FREDERICK LYNCH, New York
REV. DR. ALEXANDER LYONS, Brooklyn

THOMAS H. MACBRIDE

President Emeritus State University of Iowa
HOWARD McCLENAHAN

Dean Princeton University
HON. WILLIAM C. McADOO

Secretary of the Treasury
DR. H. N. MacCRACKEN

President Vassar College
REV. CHARLES S. MacFARLAND, New York
CLARENCE H. MACKAY, New York
RICHARD C. MacLAURIN

President Massachusetts Institute of Technology
MRS. JOHN A. MACY, Wrentham, Mass.
DUDLEY FIELD MALONE, New York
REV. DR. SAMUEL MARKS, San Antonio, Tex.
A. M. MARSHALL, Duluth, Minn.
MRS. JAMES MARWICK, New York.
MRS. JOHN J. MASON, New York
SAMUEL MATHER, Cleveland, Ohio
DR. CHARLES H. MAY, New York
EDWIN P. MAYNARD, Brooklyn
REV. RANDOLPH H. McKIM, Washington, D. C.
HULETT C. MERRITT, Los Angeles, Cal.
REV. MAX J. MERRITT, Evansville, Ind.
REV. DR. MARTIN A. MEYER, San Francisco. Cal.
DR. SIDNEY E. MEZES, New York
MAJOR JOHN PURROY MITCHEL,

Ex-Mayor New York City
ADELBERT MOOT, Buffalo, N. Y.
DANIEL N. MORGAN, Bridgeport, Conn.
REV. J. D. MORRISON, Duluth, Minn.
REV. JOSEPH A. MULRY, S. J.

President Fordham University
FRANK A. MUNSEY, New York

REV. MORRIS NEWFIELD, Birmingham, Ala.
DR. ERNEST FOX NICHOLS

President Dartmouth College

JUSTICE MORGAN J. O'BRIEN, New York
MRS. HERMANN OELRICHS. New York
BISHOP CHARLES S. OLMSTEAD, Denver, Colo.

REV. DR. MARIUS RANSON, Paterson. N. J.
JOSHUA T. RAYNOLDS, Albuquerque, N. M.
MRS. ALEXANDER HAMILTON RICE. New York
WILLIAM GORHAM RICE, Albany, N. Y.
REV. DR. WILLIAM ROSENAU, Baltimore, Md.
DR. FRANCIS H. ROWLEY, Boston, Mass.
REV. CHARLES A. RUBENSTEIN, Baltimore, Md.
JAMES E. RUSSELL

Dean Teachers' College, New York

CHARLES H. SABIN, New Y'ork

MRS. RALPH SANGER, New York

MRS. PRESTON SATTERWHITE, New York

REV. DR. TOBIAS SCHAUFARBER, Chicago, 111.

DR. JACOB GOULD SCHURMAN

President Cornell University
MRS. HENRY T. SCOTT, Burlingame, Cal.
CHARLES F. SCRIBNER, New York
JOHN L. SEVERANCE, Cleveland, Ohio
DR. WM. ARNOLD SHANKLIN

President Wesleyan University
REV. DR. JOSEPH SILVERMAN, New York
WALLACE D. SIMMONS, Philadelphia
REV. ABRAM SIMON, Washington, D. C.
MRS. FFOULKE SMITH, Washington, t>. C.
ALFRED SPENCER, JR., Hartford, Conn.
W. E. STEVENS, Sioux Falls, S. D.
DR. J. ROSS STEVENSON

President Theological Seminary, Princeton
U. S. STEWART, El Paso. Tex.
REV. HENRY A. STIMSON, New York
REV. ERNEST M. STIRES, New York
DR. CHARLES H. STOCKTON

President George Washington University
J. W. STOLL, Lexington. Ky.
DR. WINTHROP E. STONE

President Purdue University

E. T. STOTESBURY. Philadelphia, Pa'.
JULIAN STREET, Greenwich, Conn.
DR. HENRY SUZZALOO

President University of Washington

LORADO TAFT, Chicago, 111.
DR. CHARLES F. THWING

President Western Reserve University
FRANK TILFORD, New York
REV. FLOYD TOMKINS, Philadelphia, Pa.
MILTON TOOTLE, Jr., St. Joseph, Mo.
REV. DONALD S. TUTTLE, St. Louis, Mo.

F. D. UNDERWOOD, New York

MRS. CORNELIUS VANDERBILT, New York
WILLIAM K. VANDERBILT, New York

EDWIN WARFIELD, Baltimore, Md.
CHARLES ELLIOT WARREN, New York
RAPHAEL WEILL, San Francisco, Cal.
BISHOP R. H. WELLER, Fond du Lac, Wis.
DR. BENJAMIN IDE WHEELER

President University of California
H. V. WHIPPLE, New Haven, Conn.
BRIG.-GEN. W. A. WHITE, British Army, New York
HON. CHARLES S. WHITMAN,

Governor of the State of New York
ELI WHITNEY, New Haven, Conn.
RAY LYMAN WILBUR

President Leland Stanford University
ANSLEY WILCOX, Buffalo, N. Y.
HON. WILLIAM B. WILSON

Secretary of Labor
REV. DR. STEPHEN S. WISE, New York
REV. HORACE J. WOLF, Rochester, N. Y.
REV. DR. LOUIS WOLSEY, Cleveland, Ohio
GEORGE WOODRUFF, Joliet, 111.
JOHN NORTH WILLYS, Toledo, Ohio
MRS. J. N. WILLYS, Toledo, Ohio

Catalogue of Works of Art Donated

To Be Sold for Our Blind Soldiers

Oil Paintings

ALBRIGHT, HENRY J., Glenmont, N. Y.

1. NOCTURNE. 23 X 17>i. DONATED BY THE ARTIST

This is by the director of fine and applied arts in the School of Arts and Crafts at Troy,
New York.

ALEXANDER, CLIFFORD G., Brighton, Mass.

2. A GRAY SPRING DAY. 18KXI3. DONATED BY THE ARTIST

ALLEN, JOEL NOTT, New York

3. READY FOR THE DANCE. 12 X 22. DONATED BY THE ARTIST

AMES, MAY, Cleveland, O.

4. "morning on brady's Lake." 35^ x 30^- donated by the artist

ATWATER, JEAN H., New Haven, Conn.

5. A RAINY DAY ON THE MAINE COAST. 12 X 9. DONATED BY THE ARTIST

BAILEY, HENRY TURNER, North Scituate, Mass.

6. THE FLUSH OF THE DAWN. \~J X 12. DONATED BY THE ARTIST

BAKER, HARRIET, New York

7. WINDERMERE. 9 X 8. DONATED BY THE ARTIST

BARNETT, LER0Y, New York

8. SUNSET IN NEW HAMPSHIRE. 1 5 >2 X \\]4

9. CLEAR SUMMER DAY, MAINE COAST ISLAND. l6 X 12

DONATED BY THE ARTIST

BARRETT, ELIZABETH HUNT, Amherst, Va.

10.

HOUSE

AT BLARACOM, HOLLAND. II X 7

II.

BEECH

woods. 14 x 17

DONATED BY THE ARTIST

BARRY, EDITH C, Montclair, N. J.

12. THE HARBOR. 28K X lb. DONATED BY THE ARTIST

BEAL, REYNOLDS, Atlantic City, N. J.

13. PROVINCETOWN BEACH. 30x25. DONATED BY THE ARTIST

BEAUMONT, ARTHUR, New York

14. A MARCH DAY. I $}4 X I I K . DONATED BY THE ARTIST

BEAUX, N. A. CECILIA, New York

15. DECORATIVE FIGURE. 4OX56. DONATED BY THE ARTIST

BECKET, MARIA A. (Deceased)

16. WHEN THROUGH THE VALE THE MISTS OF AUTUMN GLIDE. 24 X 20. DO-
NATED BY THE LATE WILLIAM MICHEL, NEW YORK, SHORTLY BEFORE HIS
DEATH

BECKWITH, ARTHUR, San Francisco, Calif.

17. MORNING NEAR SAN RAFAEL, CAL. 1 8 X 2314. DONATED BY THE ARTIST

BERNSTEIN, T. F.,' New York

18. THE FLOWER MAKERS. I4 X l8. DONATED BY THE ARTIST

BERZEVIZY, JULIUS, Atlanta, Ga.

19. WINDY DAY. 21 X I$}4. DONATED BY THE ARTIST

BISSELL, S., Boston, Mass.

20. LAFAYETTE BROOK. IJ X I4. DONATED BY THE ARTIST

BLACKSTONE, HARRIET, Glencoe, 111.

, 21. PORTRAIT SKETCH OF A GIRL WITH GOLDEN HAIR. IJ}4 X 24. DONATED
BY THE ARTIST

BLUMENSCHEIN, A.N. A.; MARY GREENE, New York

22. THE MIRROR. I9K X 26. DONATED BY THE ARTIST

Before her marriage Mrs. Blumenscheiri had won medals at the Salon under her maiden
name of Mary Sheppard Greene.

BOGERT, A.N. A.; GEORGE H., New York

23. ON THE RIVER LYS. I4X 20. DONATED BY GEORGE H. STORY, A.N. A., NEW

YORK

This picture is of great historic interest. It is along the River Lys that the Germans are
making one of the greatest "drives" in this greatest of all wars.

BOOG, CARLE M., New York

24. WYANDOTTES. 30 X 40. DONATED BY THE ARTIST

Mr. Boog is a Swiss by birth and has worked in Paris under Bonnat.

BOSTON, FREDERICK J., New York

25. THE MINER. I5KX2I

26. EVENING. I9K X I4

DONATED BY THE ARTIST

BOWEN, BENJAMIN J., Concarneau, Finistere, France

27. PROCESSION OF THE COMMUNICANTS, BRITTANY. 21%" X 32. DONATED BY

THE ARTIST

Mr. Bowen was a pupil of Robert Fleury and Bouguereau, and has passed many years
in Brittany where this scene was painted.

BOYLE, C. W., New Orleans, La.

28. AT THE ISTHMUS, SANTA CATALINA ISLANDS, CAL. J}4 X IOK- DONATED

BY THE ARTIST

BREMER, ANNE M., San Francisco, Cal.

29. THE WHITE SANDS OF CARMEL. 21 X l6. DONATED BY THE ARTIST

BRIGHAM, W. COLE, Shelter Island Heights, N. Y.

30 SYCAMORES, SHELTER ISLAND. 30 X 20. DONATED BY THE ARTIST

Mr. Brigham has made curious and interesting experiments in the direct use of shells
and other marine objects to get artistic effects.

BROOKE, LENA R., Norfolk, Va.

31. STILL LIFE. 30 X 25. DONATED BY THE ARTIST

6

BROUGH, WALTER H., Philadelphia, Pa.

32. THE ORANGE VALLEY. 2_< X 30. DONATED BY THE ARTIST

BROWN, HORACE, East Orange, N. J.

22- THE SAW MILL. iy/2 X I7>2. DONATED BY THE ARTIST

BRUMBACK, LOUISE UPTON, New York

./ 34. ON THE BEACH. 25 X 20. DONATED BY THE ARTIST

Mrs. Brumback was a favorite pupil of the late William M. Chase, and in this strand
scene she exemplifies the fresh vivid touch that Chase used to commend in his followers.

Jb-

4'1-

BUCHTERKIRCH, A., Rochester, N. Y.

AUTUMN MAPLES. l6x 12. DONATED BY THE ARTIST

BURBANK, WM. E., Manchester, N. H.

36. OLD WILLOWS AT CAPE ELIZABETH, MAINE. 19^ X Is. DONATED BY THE

ARTIST

BURDICK, H. D., Maiden, Mass.

37- EARLY MORNING. 35K X 24. DONATED BY THE ARTIST

BULLARD, MARION R., Woodstock, N. Y.

38. LANDSCAPE SKETCH. 8j< X IO>i. DONATED BY THE ARTIST

BURLINGAME, C. A., Nanuet, N. Y.

39. THE OLD HOMESTEAD. 27 X 3$. DONATED BY THE ARTIST

BURNSIDE, CAMERON, Paris, France

40. MARKET IN TUNIS. 46 X 35. DONATED BY THE ARTIST

BUSEY, NORVAL H., New York

41. IN NORMANDY. l6x20. DONATED BY THE ARTIST

BUTLER, MARY, Philadelphia, Pa.

42. ST. IVES. IIJ^X9K

43. THE ARBOR IN SUMMER. I3K X 9K

44. SAND DUNES, OGUNQ.UIT. 12 X IO

45. BUNDORAN ROCKS, IRELAND. 12 X IO

DONATED BY THE ARTIST

BUZBY, ROSELLA T., Philadelphia, Pa.

IN FISHER'S HOLLOW. 8 X IO^. DONATED BY THE ARTIST

CALDER, NANETTE, New York

47. STUDIO SKETCH. I c, X l8. DONATED BY THE ARTIST

CANALE, ANTONIO ("CANALETTO")

48. VIEW ON THE GRAND CANAL, VENICE. 31 X 22. DONATED BY MR. GEORGE

BLUMENTHAL, NEW YORK

These eighteenth century views of the Grand Canal of Venice are curious for the com-
parisons that can be made as to towns, shipping and gondolas between what, they were
then and what they are now.

CANTWELL, JAMES, Amber, N. Y.

49. newman's falls. 9 x 12. donated by the artist

CARLISLE, MARY HELEN, New York

50. ANN HATHAWAY'S COTTAGE. 23 X lj}4

Miss Carlisle took the McMillin prize at the exhibition of Woman Painters and Sculptors
in 1914. Here is a pretty view of the cottage at Stratford-on-Avon that no American
fails to visit who follows the Shakespeare trail — a delightful memento such as cannot
be found by the tourist who goes to the Shakespeare shrine itself.

7

51. THE LAKES OF KILLARNEY. 32 X 24

It would be difficult to embrace the winding waters and islands of Killarney in one can-
vas. Miss Carlisle chooses the view across the fountain of Killarney House and gives a
good impression of that charmful scene.

DONATED BY THE ARTIST

CARPENTER, F. G., Webster Grove, Mo.

52. DECORATIVE FIGURE. 20 X T] . DONATED BY THE ARTIST

Mr. Carpenter has won medals here and abroad. (Note: On the back of the canvas there
is another painting — a landscape.)

CLARK, ELIOT, New York

53. WIND BLOWN TREES. 2J}4x \\]4. DONATED BY THE ARTIST

CLARK, MRS. MARSHALL, New York

. 54. PORTRAIT OF A CHILD. 1 8 X 22. DONATED BY THE ARTIST

CHELMINSKI, JEAN, New York

55. ROTTEN ROW, HYDE PARK, LONDON. 52 X 38^. DONATED BY MR. HENRY

SELIGMAN, NEW YORK

Although a Polish artist working in France this painter of war and sporting pictures
makes America his adopted home.

CHURCHMAN, E. MENDELHALL, Philadelphia, Pa.

Miss E. Mendelhall Churchman donated seven small oil paintings for the Exhibition,
but up to the time this catalogue was printed they had not been received, having gone
astray in transit.

COAST, OSCAR R., Pasadena, Cal.

56. SOUTHERN CALIFORNIA DESERT. l6^X IIJ4. DONATED BY THE ARTIST

COFFIN, MRS. WILLIAM H., Chestnut Hill, Mass.

57. WINTER. l6 X 12. DONATED BY THE ARTIST

CONANT, MARJORIE, Boston, Mass.

58. THE OLD HOME. 26 X 22. DONATED BY THE ARTIST

COOK, H. AMOS

59. LANDSCAPE. 30 X 25. DONATED BY MRS. ELIZA G. RADIKE, PROVIDENCE,

R. I.

COOLIDGE, MOUNTFORD, New York

60. HILL COUNTRY IN WINTER. 34 X 30. DONATED BY THE ARTIST

COOLIDGE, ROSAMOND, Watertown, Mass.

61. STILL LIFE. 15^ X 11^- DONATED BY THE ARTIST

CONROY, GEORGE T., New York

62. RUSSET AND GOLD. l6x 12. DONATED BY THE ARTIST

CORY, KATE, Prescqtt, Ariz.

63. HERMIT TRAIL AT SUNSET. 37 X 24^. DONATED BY THE ARTIST

A sweeping view in the Grand Canon of the Colorado. The red strata are treated in
broad masses so as to simplify greatly the impression of manifold colors in the level
masses.

CRAIG, ANNA BELLE, Pittsburgh, Pa.

64. THE WOODLAND PLAYERS. I4 X 20. DONATED BY THE ARTIST

CRITCHER, CATHERINE C, Washington, D. C.

65. PROVINCETOWN SKETCH. 1 8 X 22. DONATED BY THE ARTIST

PORTE FLEURIE

BY

William T. Dannat

CROSS, AMY, New York

66. KATWIJK GIRL KNITTING. 24 X 32K- DONATED BY THE ARTIST

Miss Cross studied under Jakob Maris and A. Nevvhuys at The Hague and also in Paris
where she developed her fine color sense and sound drawing.

CROSS, SALLY, Boston, Mass.

67. FRUIT AND FLOWER PANEL WITH PARROT. T] X 4I. DONATED BY THE

ARTIST

CROUGHTON, G. HANMER, Rochester, N. Y.

68. THE SHRIMPER. i7Kx.HK

69. THE LEAGUE LONG ROLLERS THUNDERING ON THE REEF. 26K X II

DONATED BY THE ARTIST

CURRIER, E. W., San Francisco, Cal.

70. HALF DOME FROM THE SHORT TRAIL, YOSEMITE. 6oX4lK- DONATED BY

THE ARTIST

Mr. Currier is a California artist who has received several silver medals for landscapes
of the Western Slope.

DANNAT, WILLIAM T., Paris, France

71. LA PORTE FLEURIE. 37 X 23. DONATED BY THE ARTIST

Special landscape painted for the artist's own pleasure rather than for the public, show-
ing a choice bit of old time France. Mr. Dannat is President of the Society of American
Artists in Paris and Commander of the Legion of Honor. He has won several gold medals.

DARTIGUENAVE, PAUL, New York (Deceased)

72. PONT ALEXANDRE III. 21 X I4K- DONATED BY MR. DARTIGUENAVE SHORTLY

BEFORE HIS DEATH

DASCENZO, NICOLA, Philadelphia, Pa.

73. INDIAN STUDY. I7K X 213,^. DONATED BY THE ARTIST

DAVIES, ARTHUR B., New York

74. WINE-SPILLED PORTAL. I3XII. DONATED BY THE ARTIST

DAVIS, ARTHUR F., Acton, Mass.

75. AUTUMN IN NEW ENGLAND. OIL PAINTING, 24 X 17

76. THE PASTURE WALL. OIL PAINTING, 20 X I4K

DONATED BY THE ARTIST

DAVIS, CORNELIA C, Cincinnati, O.

77. CLARA LORING OF THE GRAND OPERA. I2K X 17. DONATED BY THE ARTIST

DA VOL, JOSEPH B., Ogunquit, Me.

78. WINTER MORNING IN THE WOODS. 21 X 1 7. DONATED BY THE ARTIST

DE HAVEN, ELIZABETH, New York

79. POTUCK CREEK, NEAR CATSKILL, N. Y. l6xI2. DONATED BY THE ARTIST

DE HAVEN, FRANK, New York

80. BALM OF GILEADS AND WILLOWS, YORK BEACH, MAINE. 24 X 20. DONATED

BY THE ARTIST

DETHLOFF, P. H., Salt Lake City, Utah

81. THE WINTER SCENE. I4K X 19

82. THE LAST JOURNEY. 20 X 25

Perhaps the scenery of the Great Salt Lake, Utah, suggests the pomp of death; perhaps
the artist was thinking of the men in Europe hurried to the grave. In this picture he
strikes the solemn and sublime, like "The Isle of the Dead" which brought so much
fame to Bocklin.

DONATED BY THE ARTIST

DETWILLER, FREDERICK, New York

\Z" %^. A PARDON- CROSS IN BRITTANY. 2 < X 2 I ' 4 . DONATED BY THE ARTIST

DEVOLL, USHER F., Providence, R. I.

84. PARK ROW, NEW YORK, AT NIGHT. 2~ X 21

S5. SUNSET GLOW, NEW ENGLAND BIRCHES, AUTUMN. \(j\i X \^lA

1 he view of Printing House Square and the old Times Building is a plunging one taken

In mi the New York World Building.

DONATED BY THE ARTIST

DEXTER, MARY I.., Milwaukee, Wis.

86. EARLY JUNE. I9,1. X \\}i. DONATED BY THE ARTIST

DODGE, F. FARRAND, Cincinnati, O.

87. THE HAY DOCK.. 1 8 X II'4. DONATED BY THE ARTIST

DONOHO, RUGER (Deceased)

88. OLD HOOK MILL AT SUNSET. 28^X15. DONATED IN THE ARTIST'S MEMORY

BY HIS WIDOW, MRS. RUGER DONOHO, EAST HAMPTON, N. Y.

The late Ruger Donoho lived at East Hampton, and used to paint all about that pic-
turesque village. The I look Pond is overlooked by his old cottage and this view was
taken not far from his famous flower garden.

DOW, LELIA A., Madison, Wis.

89. SUMMER DAY. 14^ X l8<4. DONATED BY THE ARTIST

DOWNES, JOHN I. H., New Haven, Conn.

90. A VISTA. l8 X 22. DONATED BY THE ARTIST

DREIF.R, KATHERINE S., New York

91. A SPANISH GARDEN. 23x33. DONATED BY THE ARTIST

DRURY, WILLIAM H., Providence, R. I.

92. THE BROOK IN WINTER. 20 X l6. DONATED BY MRS. ELIZA G. RADIKE,

PROVIDENCE, R. I.

DUFNER, A.N.A.; EDWARD, New York

93. THE END OF A DAY. 29x33. DONATED BY THE ARTIST

Mr. Dufner has the secret of painting floods of sunshine, making the greensward gay and
turning an Autumn tree into fairy gold.

DWIGHT, JULIA S. L., Brookline, Mass.

94. OPHELIA ROSES. 12 X 1 6 ' _, . DONATED BY THE ARTIST

EARHART, JOHN P., Cincinnati, O.

95. MORNING. 25 X l8. DONATED BY THE ARTIST

EATON, CHARLPS WARREN, New York

96. THE CYPRESSES BELLAGIO. 20X24- DONATED BY THE ARTIST

PDMONDSON, WILLIAM J.

97. PERKIX'S COVE MAINE COAST. 20 X 24. DONATED BY THE ARTIST

EDWARDS, GEORGE WHARTON, New York

98. SUMMER SEA AND ROCKS, ISLE OF SHOALS. 24x20'.,. DONATED BY THE
ARTIST

EGGLESTON, BENJAMIN, New York

99. MOONRISE AT OLD LYME. iS X IO. DONATED BY THE ARTIST

ENNIS, GEORGE P., New York

IOO. PASSING OF THE BIG TREES. 36 X 30. DONATED BY THE ARTIST

II

ERDMANN, CHARLES E., Dayton, Ky.

101. WINTER. 8 X IO. DONATED BY THE ARTIST

ERICSON, DAVID, Provincetown, Mass.

102. THE LAVENDER PARASOL. 36 X l^yi. DONATED BY THE ARTIST
This artist was a pupil in Paris of Whistler and later worked with Chase. Mr. Ericson
is a Swede by birth.

ERTZ, EDWARD, R.B.A.— Sussex, England

103. THE OLD OAKEN BUCKET. 24X X 20>4. DONATED BY THE ARTIST

EVERS, IVAR E., Tillson, N. Y.

104. GOLDEN AUTUMN. I9K X 2^}4. DONATED BY THE ARTIST

FAIVRE, TONY

105. THE READER. I434X l8. DONATED BY CLEMENT S. HOUGHTON, BOSTON,
MASS.

Smooth enamel-like flesh beautifully drawn — reds, blues and greens chosen with excel-
lent taste make this figure by Faivre a very choice bit of painting. It is the technique
of half a century ago with all its virtues of solidity, permanence and relief. Tony Faivre
was born in 1830. The picture is signed and dated 1872.

FANCY, LYMAN, Forest Hills, L. I.

106. STILL LIFE. 7x5. DONATED BY THE ARTIST

FASSETT, TRUMAN E., Elmira, N. Y.

IO/. ARRANGEMENT IN GREY AND BLACK. 1,2 X 29J2'. DONATED BY THE ARTIST

FAY, NELLIE, San Francisco, Calif.

108. SACRAMENTO SUBURBS. J }4 X IIJ4. DONATED BY THE ARTIST

FEHRER, OSCAR, New York

109. STUDY7 OF A HEAD. I5KX K)^. DONATED BY" THE ARTIST

FIELD, HAMILTON EASTER, New York

110. CHASE'S POND. l6 X 12. DONATED BY' THE ARTIST

FINCKEN, JAMES H., Philadelphia, Pa.

111. DELAWARE PASTURE. 25x20

112. AUTUMN SCENE. 25x20

DONATED BY THE ARTIST

FOLINSBEE, JOHN F., New Hope, Pa.

113. THE HALL ON THE GREEN. I5KX l^/i. DONATED BY THE ARTIST

FOOTE, MARY, New York

114. PAINTING OF FLOWERS (TULIPS). IJ}4 X 21. DONATED BY THE ARTIST

FORSYTH, W., Indianapolis, Ind.

115. SPRING. 20X24. DONATED BY THE ARTIST

FORTUNE, E. CHARLTON, San Francisco, Cal.

116. MARINE SKETCH. l6x 12. DONATED BY THE ARTIST

FOSTER, BEN, N.A., New York

117. ON THE COAST OF CALIFORNIA. II^X9K- DONATED BY THE ARTIST

Mr. Foster is a great prize and medal winner with his landscapes charged with senti-
ment, j'et true to nature. Last year he took the gold medal and prize at the exhibition
of the National Arts Club.

ON THE RIVER LYS

BY

George H. Bogert

Aside from the great artistic merit of this painting the peaceful scene it depicts renders it of great historic interest. It
is along the valley of the Lys that the Germans on March 21 last launched one of the mightiest drives of the war, their
objective being Hazebrouck. The main railroad from Calais eastward passes through- this city, to which converge also nu-
merous branches of the main supply line of the British troops between the North Sea and Arras, the bastion which guards the
northern flank of the Allied army before Amiens. At the time this catalogue went to press the German line was only five
miles from Hazebrouck.

13

FROMKES, MAURICE, New York

I 1 8. PEREZ THE POET. 36 X 50. DONATED BY THE ARTIST

A portrait painted in 1912, three-quarter length, of a Russian anarchist whose face
recalls that of Edgar Allan Poe.

GARRETT, EDMUND H., Boston, Mass.

119. SURF AT NAHANT. 24 X l8>^. DONATED BY THE ARTIST

GERNHARDT, HENRY F., Framingham, Mass.

120. STILL LIFE. 30x24

121. ON THE EDGE OF THE LAKE. 2634 X 3 1 }<

DONATED BY THE ARTIST

GIHON, CLARENCE M., Paris, France

122. CHURCH OF ST. SAULVE, AT MONTREUIL. 25 X 20><. DONATED BY THE

ARTIST.

GLACKENS, WILLIAM J., New York

123. SKETCH OF A GIRL IN BLUE. 18x24. DONATED BY THE ARTIST

GORE, THOMAS H., Covington, Ky.

124. THE GYPSY QUEEN. 21 X 243.4. DONATED BY THE ARTIST

GORSON, A. H., Pittsburgh, Pa.

125. UNITED STATES STEEL MILLS. 1^)4, y^ ly/,. DONATED BY THE ARTIST

GOTTHOLD, FLORENCE W., New York

126. SINGLE ROSES. l6 X 22. DONATED BY THE ARTIST

GRAY, KATHRYN, New York

127. HUDSON RIVER, NEAR NEW YORK. 2I>£ X \^A- DONATED BY THE ARTIST

GREENBAUM, JOSEPH, Los Angeles, Calif.

128. "MAMMY," HEAD OF A COLORED WOMAN. \0>yi X IC)K- DONATED BY THE

ARTIST

GRUPPE, CHARLES PAUL, New York

129. COME ON IN, THE WATER'S FINE. I4 X l6. DONATED BY THE ARTIST

GUE, T. D., New York

130. MOONLIGHT AT LONG BEACH. I4 X IO. DONATED BY HARRY D. GUE, NEW

YORK

GUERIN, JULES, New York

131. THE MOSQUE OF OMAR, JERUSALEM. I9K X 29^. DONATED BY THE
/, ARTIST

GUTMANN, BERNHARD, Norwalk, Conn.

132. FLOWER PIECE. 23K X 1%l/i. DONATED BY THE ARTIST

Mr. Gutmann studied in Dusseldorf, Karlsruhe and Paris. He is a member of many
art societies.

14

HAINES, B. AYLESWORTH, Rochester, N. Y.

133. SALMON CREEK, N. Y. 1 9 X 1 5. DONATED BY THE ARTIST

HALSALL, W. F., Provincetown, Mass.

134. SQUALLY WEATHER. 35^ X l^/i. DONATED BY THE ARTIST

HARDWICK, ALICE R., Annisquam; Mass.

135. THE WAR GARDEN, SPRING 1 9 1 7. 1 () \ 2 X I <. DONATED BV THE ARUM-

HARPER, NINA, New Orleans, La.

136. THE ABSINTHE HOUSE, NEW ORLEANS. 26 X l8. DONATED BY THE ARTIST

HARRISON, BIRGE, N.A., Woodstock, N. Y.

l~]~. CANADIAN FARM IN WINTER. 2Q X 24. DONATED BY THE ARTIST

Mr. Harrison has taken medals and prizes here and abroad. He is Hors Concours at
the Paris Salon.

HARWOOD, J. T., Salt Lake City, Utah

138. THE DUNES NEAR ETAPLES. IvX 12

139. MOONLIGHT. IsX 12

DONATED BY THE ARTIST

HASKELL, IDA C, New York

140. ASTERS. l8j2 X T4.I2. DONATED BY THE ARTIST

HAWORTH, EDITH, New York

141. OLD APPLE TREES, CAPE COD. I4X IO. DONATED BY THE ARTIST

HAYES, LEE, Butte, Mont.

142. SEPTEMBER IN THE ROCKIES. 1 7 ' 2 X 12.

143. EARLY MORNING JEFFERSON VALLEY. IJ^XIlK

DONATED BY THE ARTIST

HAYS, WILLIAM J., A.N. A., Milbrook, N. Y.

144. FOR FRANCE. I I X 7#. DONATED BY THE ARTIST

Mr. Hays has won prizes in various competitions.

HECHT, VICTOR DAVID, New York

I4;. FRENCH PEASANT CHILD. 1 3 X l6. DONATED BY THE ARTIST

Mr. Hecht was born in Paris, where he studied under Lefebvre and j'Fony Robert

Floury.

HEFFERMAN, WILLIAM L., Brockton, Mass.

146. SEPTEMBER. IfKXIlK. DONATED BV THE ARTIST

HELLER, EUGENIE M., Fast Gloucester, Mass.

147. SUNRISE. 23>2XIII2. DONATED BY THE ARTIST

Miss Heller has painted in Paris under Aman Jean and in Xew York under Alden
W eir.

15

HENRI, ROBERT, New York

148. BLIND SINGING WOMAN WITH GUITAR. 33X4I. DONATED BV THE ARTIST

Mr. Henri writes: "This picture is one in which I put my deepest feeling and the paint-
ing is as well as anything I have done. In fact, I consider it one of my very best pictures.
It has never been shown to the public because there are so few to sympathise with or
understand a frank facing with the tragedy of blindness. My feeling at the time of the
painting was to meet it frankly, with all my heart and without sentimentality. Senti-
mentality is a protective mist which life-slackers throw about themselves to obscure
from their consciousness the reality — they wish to pity but they do not wish to share
the hurt."

HILL, ARTHUR TURNBULL, New York

149. BEACH GRASS AND SURF. l6x I1}i. DONATED BY THE ARTIST

HILLBOM, HENRIK, Wallingford, Conn.

150. THE SKETCHER. I9XI6

151. THE MAKING OF AN AMERICAN. 24 X %(j}4

DONATED BY THE ARTIST

HIRSCHBERG, CARL, New York

152. IN BRITTANY. I4 X 20. DONATED BY THE ARTIST

HITCHCOCK, D. HOWARD, Honolulu, Hawaiian Islands

153. SEASIDE BIT, HAWAIIAN ISLANDS. I2Xl6

154. NUNANU PALI GAP, HONOLULU, H. I. l6 X 12

DONATED BY THE ARTIST

HOLMAN, ABIGAIL, Denver, Colo.

155. MICHIGAN WOODS. I3><Xl8K- DONATED BY THE ARTIST

Miss Holman is director of the Fine Arts Academy of Denver, Colo.

HOWARD, MARION, Washington, D. C.

156. IN THE COUNTRY, BELGIUM. C^]/2 X 9

157. GREAT FALLS OF THE POTOMAC. \y/2 f. Wyi

158. GARDEN IN BRUGES. 6K X I I

DONATED BY THE ARTIST

HOWITT, JOHN NEWTON, New York

159. THE WHITE BROTHERS. I3XXI9

160. DUNHAM AND SON. l6x I4

161. THE EYES OF LOVE. 23 X 3 I

The Eyes of Love," is the beautiful picture reproduced on the cover of this catalogue
and on the posters seen about New York. It was painted specially for the American-
British-French-Belgian War Relief Blind Fund by Mr. Howitt.
DONATED BY THE ARTIST

HUDSON, CHARLES W., Hyde Park, Mass.

162. OAK TREES MISTY DAY. 63 X 43. DONATED BY THE ARTIST

HULBERT, CHARLES ALLEN, South Egremont, Mass.

163. AN INTERESTING STORY. 20 X 24. DONATED BY THE ARTIST

HULBERT, KATHERINE ALLMOND, South Egremont, Mass.

164. THE BRIDGE. lyA Y. 10}4- DONATED BY THE ARTIST

HURTT, ARTHUR, Los Angeles, Cal.

165. MORNING IN THE WASATCH MTS. I4K X II. DONATED BY THE ARTIST

HUTSON, ETHEL, New Orleans, La.

166. WHITE HARBOR. IIJ<x8j<. DONATED BY THE ARTIST

16

ARRANGEMENT IN GRAY AND BLACK

BY

Truman E. Fassett

17

V

HUTSON, CHARLES WOODWARD, New Orleans, La.

167. SPRING IN AUDUBON PARK. 12 X g}4. DONATED BY THE ARTIST

This is not the Audubon Park that Manhattan Island once knew, which is now a mass of
buildings at Broadway and 155th Street, but a park of the same name in New Orleans.

HYDE, WILLIAM H., A.N. A.; New York

168. THE END OF A PERFECT DAY. 34^x24. DONATED BY THE ARTIST

INNES, GEORGE, Jr., New York

169. APPROACHING STORM. 30x20. DONATED BY THE ARTIST

IRISH, MARGARET HOLMES, St. Louis, Mo.

170. EVENING HOUR. 23X X 21. DONATED BY THE ARTIST

Mrs. Holmes has many medals and other marks of distinction for work shown in New
York, Chicago, Boston and other cities.

IVES, SARAH NOBLE, Hackensack, N. J.

171. OLD HOUSES AT BRUGES. 15^X22. DONATED BY THE ARTIST

JOHANSEN, JOHN C, N.A., New York

172. BERKSHIRE AUTUMNAL. 34 X 30. DONATED BY THE ARTIST

JOHNSTON, R. LEGRAND, Washington, D. C.

173. RETURN OF THE FLOCK. 30x25. DONATED BY THE ARTIST

JONES, EUGENE ARTHUR, New York

174. MOONLIGHT. 2C)Kx2lK- DONATED BY THE ARTIST

JONES, GRACE CHURCH, Denver, Colo.

175. THE COLONIAL HOUSE. 18x15. DONATED BY THE ARTIST

JUDSON, W. L., Los Angeles, Calif.

176. THE DESERT. 30 X l8. DONATED BY THE ARTIST

KAY, G. A., Alliance, Ohio

177. WOOD INTERIOR. IO X 8. DONATED BY THE ARTIST

KEELER, ROLSTON, New York

178. THE HAUNT OF A CROW. 23 X 19^. DONATED BY THE ARTIST

KEY, MABEL, Milwaukee, Wis.

179. WHITE CHRYSANTHEMUMS ON GREEN GROUND. 15^X25^. DONATED BY

THE ARTIST

KIMBELL, RICHARD M., New York

180. MENDING NETS. l6 X 13. DONATED BY THE ARTIST

KING, JAMES S., Verona, N. J.

181. VERONA, N. J. 30X20. DONATED BY THE ARTIST

Mr. King is an old habitue of the Quartier Latin, and was a student at the Ecole des
Beaux Arts when Gt-rSme was at its head.

KIRKMAN, MAY LEWIS CLOSE, New York

182. THE BOY. 20X24. DONATED BV THE ARTIST

KLAGSTAD, AUGUST, Minneapolis, Minn.

183. GOLDEN HILL TOP. I5J&XI8. DONATED BV THE ARTIST

KOOPMAN, JOHN R., New York

184. IN THE CATSKILLS. 24X2O. DONATED BV THE ARTIST

KOPMAN, BENJAMIN D., New York

185. IDVL. IIXI(. DONATED BV THE ARTIST

KNOX, JAMES, New York

186. MOONLIT MEADOWS. I4X II. DONATED BV THE ARTIST

\*S

■87.

KREMELBERG, MARY, Baltimore, Md.

LA LISEUSE. 22 X 28. DONATED BV THE ARTIST

KRONBERG, LOUIS, Boston, Mas..

188. BEHIND THE FOOTLIGHTS. \y/2 X I9. DONATED BY THE ARTIST

Winning the Longfellow three-year scholarship in 1S91. this young artist has shown
great versatility and taken medals, etc.

KUSCHE, CARLTON JULES, Oshkosh, Wis.

189. THE SPIRIT OF AVARICE. *J% X 5 •

190. COPY OF GEORGE HITCHCOCK'S FLOWER GIRL. 2~ % X 1 5

DONATED BV THE ARTIST

LACEY, BERTHA, Perrysville, Ind.

191. IN THE BERKSHIRES. 23.K X l8^. DONATED BV THE ARTIST

LACHMAN, HARRY B., Paris, France

192. GARDEN OF NOTRE DAME. 24 X 20. DONATED BV THE ARTIST

LADD, LAURA IX S., Philadelphia, Pa.

193. LOOKING OVER THE WEEDS TO THE VILLAGE. 1 8 X I9K

194. A RAINY DAY AT GLOUCESTER. 22 X 20

DONATED BV THE ARTIST

LAMB, ELLA CONDIE, New York

I9<. THE GARDEN SEAT. 1 8 X 22 Y2. DONATED BV THE ARTIST

LAMB, F. MORTIMER, Stoughton, Mass.

196. WINTER IN ROCKY WOODS. 29 X 24. DONATED BY THE ARTIST

LANG, CHARLES M., New York

197. OMINOUS CLOUDS. l6 X 20. DONATED BY THE ARTIST

LANGHORNE, KATHERINE, New York

198. SKETCH. 8 X 5K. DONATED BY THE ARTIST

LANGZETTEL, GEORGE H., New Haven, Conn.

199. MASON'S ISLAND MYSTIC HARBOR, CONN. l6 X 12. DONATED BV THE ARTIST

LAWSON, ERNEST, N.A., New York

200. ABANDONED FARM. 30 X 25. DONATED BV THE ARTIST

IQ

LAZARUS, M. RACHEL, Shady, N. Y.

201. PAN. IOK X lg}4. DONATED BY THE ARTIST

LE BLANC, E. M. de HOA, New Orleans, La.

202. OxN THE ROAD. 1 5 X 23. DONATED BY THE ARTIST

LE BLANC, MARIE de HOA, New Orleans, La.

203. ON THE SWANNANOA, N. CAROLINA. IJ^Xg^i. DONATED BY THE ARTIST

LE BOUTILLIER, GEORGE, Ridgefield, Conn.

204. BOWL AND NECKLACE. 12 X 1 6. DONATED BY THE ARTIST

LE BOUTILLIER, ISABEL G, Ridgefield, Conn.

205. PETUNIAS. 20K X l6%". DONATED BY THE ARTIST

LEPANO, MARIO

206. THE CONNOISSEURS. 20 X 26. DONATED BY MRS. B. KAUFFMAN, NEW YORK

LICHTENSTEIN, MARIE E. HENRY, New York

207. STILL LIFE. I4X X IJ}4. DONATED BY THE ARTIST

LIE, JONAS, New York

208. SUNLIGHT. 36 X 30^. DONATED BY THE ARTIST

LINDIN, CARL ERIC, Woodstock, N. Y.

209. THE ROAD TO THE SEA. 25K X 32. DONATED BY THE ARTIST

LLOYD, H. S., Hamilton, N. Y.

210. WATER LILIES. I3 X 10}4. DONATED BY THE ARTIST

Mrs. Horatio Lloyd was a pupil of Siddons, Mowbray and Cecilia Beaux.

LOGAN, ROBERT F., Hartford, Conn.

211. PORTRAIT STUDY. 21^X26. DONATED BY THE ARTIST

LORD, HARRIET, Ipswich, Mass.

212. AFTER RAIN. I {% X 17. DONATED BY THE ARTIST

LUCE, LAURA W., Titusville, Pa.

213. SPRING. 12 X 15. DONATED BY THE ARTIST

LUNDBORG, FLORENCE, New York

214. A SUMMER GARDEN. l6 X 20. DONATED BY THE ARTIST

MacCHESNEY, CLARA T., New York

215. A BREEZY DAY. 3OX24. DONATED BY THE ARTIST

MacCORD, CHARLES WILLIAM, Stockbridge, Mass.

216. RED OCTOBER. 1^/2 X IlK- DONATED BY THE ARTIST

MacCORD, MARY N., Bridgeport, Conn.

217. A LOVER OF STORIES. 20 X 26. DONATED BY THE ARTIST

MACOMBER

218. LANDSCAPE. 8 X 5K- DONATED BY MRS. ELIZA G. RADIKE, PROVIDENCE, R. I.

MacGINNIS, H. R., Trenton, N. J.

219. A BIT OF THE DELAWARE VALLEY. l6 X I4. DONATED BY THE ARTIST

20

McCLELLAN, MARY, Philadelphia, Pa.

220. INTERIOR. II^X iyA- DONATED BV THE ARTIST

McCONNELL, EMLEN, Haddonfield, N. J.

221. THE WISE MEN. 20^X26^- DONATED BV THE ARTIST

McEWEN, KATHERINE, Detroit, Mich.

222. WILD SWANS. 39x32. DONATED BV THE ARTIST

McLANE, MYRTLE JEAN, A.N.A., New York

223. THE BREAKFAST. 3OX36. DONATED BV THE ARTIST

McRICKARD, JAMES P., New York

224. CATSKILL COUNTRY, l6x 12. DONATED BV THE ARTIST

MADRAZO, RAIMONDO (deceased), Madrid, Spain

225. BUTTERFLIES. 15 X l8. DONATED BV COLONEL C. S. WADSWORTH, MIDDLE-

TOWN, CONN.

This Spanish painter, a member of a family of painters, came to America several times.
Senor Raimondo Madrazo had a great career as a genre painter and was director of the
Prado Museum.

MAGEE, JAMES C, Philadelphia, Pa.

226. ON THE BEACH. 2 1 % X l~]}4. DONATED BV THE ARTIST

Mr. Magee took a gold medal for landscape in 1907.

MAHLER, REBECCA, New York

227. A BELGIAN GIRL. II X I4. DONATED BV THE ARTIST

MANN, PARKER, Arkville, N. Y.

228. THE BOUNCING BET. I5K X 12. DONATED BV THE ARTIST

MASSIE, JULIA M., New Orleans, La.

229. COURT YARD OF OLD NEW ORLEANS. I4 X l~]%. DONATED BV THE ARTIST

MATHEWSON, FRANK C, New York

230. THE SURVIVORS. 20 X 2<. DONATED BY THE ARTIST

MESSER, EDMUND C, Washington, D. C.

231. A CONNECTICUT BYWAY. 24 X 17. DONATED BV THE ARTIST

Mr. Messer is principal of the Corcoran School of Art, Washington, D. C. He was a
pupil in Paris of Courtois and Morot.

MEYVIS, AIME LEON, Rochester, N. Y.

232. AUTUMN DAY GENESEE VALLEY, PARK CITY. I 8 X 14^. DONATED BV THE

ARTIST

Mr. Meyvis is a Belgian by origin and has many medals to his credit in Europe and
America.

MIDDLETON, STANLEY, New York

233. SYMPATHY. 14^ X l8. DONATED BV THE ARTIST

Mr. Middleton worked in Paris under Benjamin Constant and Dagnan Bouveret.

MILLET, THALIA

234. LOW TIDE. 31 X I^A. DONATED BY MRS. R. E. WESTCOTT, NEW YORK

MITCHELL, ARTHUR, St. Louis, Mo.

235. GRAND AVENUE, ST. LOUIS. I9I2 X 2_s. DONATED BV THE ARTIST

MOHLTE, J. A., East Orange, N. J.

236. BALMY DAYS. 20 X I^A- DONATED BY THE ARTIST

Mr. Mohlte was born in Sweden and worked under Laurens and Benjamin Constant in
Paris.

MONTGOMERY, ELOISE, Monteagle, Tenn.

237. ALONG THE SHORE PROVINCETOWN. I ij X 13. DONATED BY THE ARTIST

MORRISON, LOUISE GERTRUDE, Bryn Mawr, Pa.

238. OFF BAKER'S ISLAND, MASS. IO X 8

239. A NEW HAMPSHIRE FARM. IO X 8

240. OFF BAKER'S ISLAND LIGHT. IO X 8

241. ROUND POND, N. H. IOx8

DONATED BY THE ARTIST

MORTON, JOSEPHINE A., Williamstown, Mass.

242. THE DOME IN WINTER, WILLIAMSTOWN, MASS. 21 X l6. DONATED BY THE

ARTIST

MUENDEL, GEORGE F., Rowayton, Conn.

243. WINTER WILLOWS. 4O X 291^. DONATED BY THE ARTIST

Pupil of Leonard Ochtman.

MULLER-URY, ADOLPH, New York

244. YOUNG DUTCH GIRL. 9 X I I %. DONATED BY THE ARTIST

MULLIKIN, MARY A., Boston, Mass.

245. IN THE DAUPHINE ALPS. lyA X 15^

246. LAKE WASHINGTON, FROM SEATTLE. I3J4 X IO

DONATED BY THE ARTIST

MUMFORD, JANE JARVIS,

247. SKETCH. 12 X I4. DONATED BY MRS. H. G. PEARSON HIGH FALLS, N". Y.

MUNCY, PERCY W., New York

248. THE CORAL NECKLACE. 20 X 24. DONATED BY THE ARTIST

NOLAN, DANIEL J., Boston, Mass.

249. SPRINGTIME PRIDES CROSSING. 28 X 17^-4. DONATED BY THE ARTIST

NORSTAD, MAGNUS, St. Paul, Minn.

2^0. SUMMER LANDSCAPE. IOXI2

251. COUNTRY ROAD. 15x17

DONATED BY THE ARTIST

NUNN, FREDERIC, West Philadelphia, Pa.

252. SNOWING. 28 X 20. DONATED BY THE ARTIST

Pupil of Anschutz and Chase.

O'KELLY, ALOYSIUS, New York

253. AN OFFERING TO THE VIRGIN. 21 X l^/i. DONATED BY MRS. JAMES S. WAT-

SON, ROCHESTER, N. Y.

OLIVER, FRED C, Phoenix, Ariz.

2^4. MELTING SNOW. 17^X13^
255. A DAY IN JANUARY. I9X I5K

DONATED BY THE ARTIST
22

rotten row

BY

Jean Chelminski

THE TOILERS

BY

Carl Rakemann

V

PACH, WALTER, New York

2<6. STILL LIFE. 22 X 17. DONATED BY THE ARTIST
Pupil of Robert Henri.

PACKARD, MABEL S., Pasadena, Cal.

257. SYCAMORE TREES. I4XIO

258. ON THE BEACH. I4X 10

DONATED BY THE ARTIST

PARKER, CORA, Greenwich, Conn.

259. SOUTHWARD. 22 XI 8. DONATED BY THE ARTIST

PARTON, HENRY W., New York

260. VANITY. I3KXI8. DONATED BY THE ARTIST

PECK, HENRY J., New York

261. THE RACE HORSE AND THE MULE. 11 X 2°/^- DONATED BY THE ARTIST .

PEIXOTTO, GEORGE da MADURO, Paris, France

262. PORTRAIT OF THE LATE PRESIDENT MCKINLEY. 53^x71. DONATED BY

THE ARTIST

Like President McKinley the painter of this portrait is a native of Ohio. In Paris he
worked under Meissonier and Munkacsy. He has depicted the President as the man of
affairs. With a written speech in his hands, he sits surrounded by books and papers.
A good decoration for a Republican club.

PERRY, LILLA CABOT, Boston, Mass.

263. KING BABY. I4X l6. DONATED BY THE ARTIST

PETREMONT, CLARICE, Shelton, Conn.

264. THE JESTER. 12x8^- DONATED BY THE ARTIST

PEYRAUD, F. C, Chicago, 111.

265. SUMMER DAY. 25x15^. DONATED BY THE ARTIST

PLASCHKE, PAUL A., Louisville, Ky.

266. MORNING ELKHORN CREEK, KY. 35X X I^A- DONATED BY THE ARTIST

PLUMB, H. G., New York

267. THE NIGHT EXPRESS. l6l/i X 22. DONATED BY THE ARTIST

POORE, HENRY RANKIN, Orange, N. J.

268. COWS ON ROCKS. 2OXI4. DONATED BY THE ARTIST

POTTHAST, EDWARD H., N.A., New York

269. RETRIEVING. 92 X l^/i. DONATED BY THE ARTIST

PRIOR, CHARLES M., New York

270. A BREEZY DAY IN AUGUST. PANEL, *]% X II. DONATED BY THE ARTIST

PROBERT, SIDNEY W., Paterson, N. J.

271. HOME OF SEA ANEMONES. 24x20. DONATED BY THE ARTIST

PUTHUFF, HANSON, Eagle Rock, Calif.

272. CALIFORNIA LANDSCAPE. 20Xl6. DONATED BY THE ARTIST

24

-o-

RAFTER, CLAUDE HOWARD, Port Washington, N. Y.

VIEW IN PORT WASHINGTON. II^xS. DONATED BY THE ARTIST

RAVLIN, GRACE, New York

PANSIES WD VIOLETS. 22 X I 8. DONATED BY THE ARTIST

READ, HEXRY, Denver, Col".

MOONLIGHT IN COLORADO. l8x 12. DONATED BY THE ARTIST

REIFFEL, CHARLES, Norwalk, Conn.

276. THE COTTAGE. T] X iyA. DONATED BY THE ARTIST

Mr. Reiffel has won prizes and has a picture in the Corcoran Gallery.

RETTIG, JOHN, Cincinnati, Ohio

REYNOLDS, EDITH, Wilkes Bane, Pa.

278. BETWEEN SHOWERS. 23 ■ 2 X I9. DONATED BY THE ARTIST

RHEIN, RUTH VAN WYCK, New York

2~<l. EVENING. 8 X IO. DONATED BY THE ARTIST
Miss Rhein is a pupil of the late Henry W. Ranger.

RHETT, HANNAH McCORD, Charleston, S. C.

280. DAY DREAMS. 1 <J X ICjYi. DONATED BY THE ARTIST

Mrs. Rhett has received silver and bronze medals for exhibits. Pupil in Paris ol Laurens
and Collin.

RHETT, HANNAH McCORD, Charleston, S. C.

281. FRENCH PEASANT. 24x31. DONATED BY THE ARTIST

RICE, DOROTHY, New York

2S2. EGYPTIAN DANCER. 35K X 74. DONATED BY THE ARTIST

Miss Kin-, who is now Mrs. Waldo Peirce, created a good deal of comment in Paris
51 me years ago with pictures unusual in design. Bold color and attention to the pattern
of the picture make this example notable.

RICHARDSON, MARY CURTIS, San Francisco, Calif.

283. SKETCH. I2Xl6. DONATED BY THE ARTIST

Mrs. Richardson is a New Yorker who is married to Mayor Richardson of San Fran
She has won several prizes and medals.

RICHARDSON, MARGARET F., Boston, Mass.

284. AN ITALIAN GIRL. I3K X 23. DONATED BY THE ARTIST

Miss Richardson worked under Tarbcll and Major in Boston and has received various
prizes and medals.

ROSELAND, HARRY, New York

28;. HAPPY HOURS. 19^X15^- DONATED BY THE ARTIST

Mr. Roseland is one of the few artists who paints our colored brothers and sisters. In
this case however he depicts a comely young white mother crooning over her bain in
the cradle. Mr. Roseland has won many medals.

ROSENBERG, H. M., Halifax, Nova Scotia

286. THE FISHERMAN'S DAUGHTER. ikyi X \&}A • DONATED BY THE ARTIST

Mr. Rosenberg is an American who studied in Munich.

25

ROSENMEYER, BERNARD J., New York

287. TEA ROSES. I4^XI7^<. DONATED BY THE ARTIST

ROSENTHAL, ALBERT, Philadelphia, Pa.

288. GRACE. 29 X 25^

289. JEANNE. 25 X 30

Mr. Rosenthal is an etcher as well as a painter. He has won several bronze, silver and
gold medals, including the American Art Society's gold medal in 1907.
DONATED BY THE ARTIST

ROSENVVAY, PAUL, Philadelphia, Pa.

290. HARVEST TIME ON THE HILLS OF MONTFORD l'aMANRY, FRANCE. l^H X C)}4.

DONATED BY THE ARTIST

ST. JOHN, LOLA A., Albany, Ind.

291. A WINTER DAY. 1 7 X I4. DONATED BY THE ARTIST

SAWTELLE, MARY B., Staunton, Va.

292. HUDSON RIVER, JULY, I9I7. 24x20. DONATED BY THE ARTIST

SAWYER, EDITH, New York

293. A HILLSIDE. 8 X IO. DONATED BY THE ARTIST

SCHEVILL, WILLIAM V., New York

294. FORMER PRESIDENT WILLIAM H.TAFT. 4OX57. DONATED BY THE ARTIST

This portrait of the former President is a fine example of Mr. Schevill's well-known wor k

SCHMITZ, ELIZABETH T., Philadelphia, Pa.

295. THE LILACS. 9XI2. DONATED BY THE ARTIST

SCHNEIDER, THEO., Boston, Mass.

296. APPLE BLOSSOMS. 16x14. DONATED BY THE ARTIST

297. A STERN AND ROCK. BOUND COAST. 4O X 30. DONATED BY THE ARTIST

SCHOULER, WILLARD C, New York

298. YOUNG BULL. II^x8X- DONATED BY THE ARTIST

SCUDDER, RAYMOND, New Orleans, La.

299. THE OPEN DOOR. 24 X l8. DONATED BY THE ARTIST

SEEBOLD, MARY, New Orleans, La.

300. STILL LIFE. l8 X I4. DONATED BY THE ARTIST

SHANNON, HOWARD J., New York

301. IN THE DEEP WOODS. I3K X 1 1 yi. DONATED BY THE ARTIST

SHORE, HENRIETTA M., Los Angeles, California

302. PASADENA FLOWER FESTIVAL. 24 X 20. DONATED BY THE ARTIST

26

SILVA, WILLIAM, Carmel-by-Sea, California

303. AFTER THE SHOWER. 4O X 32. DONATED BV THE ARTIST

SMITH, ROSAMOND L., Boston, Mass.

304. SPRING. 31 X 30. DONATED BY THE ARTIST

SMITH, WUANITA, Philadelphia, Pa.

305. KNITTERS ON BASS ROCKS BEACH. I^H X 9S4. DONATED BV THE ARTIST

SOKOLSKY, SULAMITH, New York

306. SPRING. lO^X 1$}4- DONATED BV THE ARTIST

SPADER, W. E., New York

307. A BOOK OF TRAVELS. 8x II. DONATED BV THE ARTIST

SPEAKMAN, MRS. HENRY T., Philadelphia, Pa.

308. THE BAPTISM. Ig}4 X 1 5

309. THE WHITE DISH. I9K X 1 6

DONATED BV THE ARTIST

STANCE, EMILE, North Hackensack, N. J.

310. LATE OCTOBER AFTERNOON. 30 X 25. DONATED BV THE ARTIST

STARK, OTTO, Indianapolis, Ind.

311. SKY WINGS. 32X22. DONATED BY THE ARTIST

STEVENSON, BEULAH ELSIE, New York

312. DINNER TIME. IOJi X I4. DONATED BY THE ARTIST

STROUD, CLARA, East Orange, N. J.

313. THE GREEN DOOR. 20 X I5>2. DONATED BV THE ARTIST

STROUD, IDA W., East Orange, N. J.

314. AUTUMN ELMS. 20 X l6. DONATED BY THE ARTIST

STURTEVANT, HELENA, Newport, R. I.

315. SACHWEST BEACH. 29 X 25. DONATED BY THE ARTIST

TADAMA, F., Seattle, Washington

316. BEGINNING OF THE FISH AUCTION, KATWYK. 30 X 20.

317. SUNNY DAY IN HOLLAND. I9 X 9

DONATED BY THE ARTIST

TAIT, AGNES, New York

318. YOUNG APRIL. ClRCLE, I I }i. DONATED BY ARTIST

TALCOTT, SARAH N., Elmwood, Conn.

319. THE BEND OF THE BROOK. I7X II-'4- DONATED BY THE ARTIST

TANNAHILL, MARY H., New York

320. A FRENCH FAMILY. I4 X IO. DONATED BY THE ARTIST

27

TANNAHILL, SALLIE B., New York

321. PROVINCETOWN STREET. 10 X 12. DONATED BY THE ARTIST

TAYLOR, WILLIAM FRANCIS, Lumberville, Pa.

322. PITTORES. 30 X 25. DONATED BY THE ARTIST

THAYER, GLADYS, Monadnock, N. H.

323. BERMUDA. 28K X l8}4. DONATED BY THE ARTIST

Miss Thayer is a pupil of her father, Abbott H. Thayer, N.A. Her mother was of Czech
descent and a painter of no mean ability, so that she gets artistic inheritance both ways.

THEODORE.

324. HAUTE EGYPTE, 9X X 5^. DONATED BY THE LATE WILLIAM MICHEL,

NEW YORK, SHORTLY BEFORE HIS DEATH

THOMPSON, GEORGE ALBERT, Mystic, Conn.

325. OCTOBER AFTERNOON. l6 X 12.

326. BINDLOSS POND. 15^ X IlK

DONATED BY THE ARTIST

TOASPERN, OTTO

327. THE EARLY BIRD. 23 X 34. DONATED BY WILLIAM W. WEITLING, NEW YORK

THUM, PATTY, Louisville, Ky.

328. PINK ROSES. 20 X l6. DONATED BY THE ARTIST

TOMLINSON, HENRY WALLING, Valley Cottage, New York

329. JUNE MOONLIGHT. 29 X 21. DONATED BY THE ARTIST

TOWNSEND, E. N., Yonkers, N. Y.

330. THE PLACID STREAM. IO X 8. DONATED BY THE ARTIST

TOWNSLEY, CHANNEL PICKERING, Pasadena, Calif.

331. CASTLE OF CHARLES VII IN PROVENCE. I9K X I$}4. DONATED BY THE

ARTIST

TRACY, GLEN, Cincinnati, Ohio

332. HARVEST TIME. 8x6

233- A DAY ON THE LAKE. I I X I4

DONATED BY THE ARTIST

TRASK (MRS.) G. G., Newburgh, New York

334. LANDSCAPE. I3KX IlK

335. SHORESCAPE. I3K X IIJ^

336. LANDSCAPE. 13)4 XII}4

337. SHORESCAPE. I3K X 11^

DONATED BY THE ARTIST

VAN SANTVOORD (MISS), A. T., New York

338. SUNRISE IN CEYLON. IIJ^X II. DONATED BY THE ARTIST

28

WILLIAM H. TAFT
Ex-President of the United States

BY

William V. Schevill

29

VONNOH, ROBERT, N. A., New York

339. JUST BIRCHES. l8 X I4 DONATED BY THE ARTIST

WAITE, CHARLES W., Cincinnati, Ohio

340. DUCK CREEK. 12 X 14^

341. COUNTRY LIFE IN KENTUCKY. 15 X 12

DONATED BY THE ARTIST

V

WALES, ORLANDO G., Allentown, Pa.

342. STILL LIFE. I5.K X IC)K- DONATED BY THE ARTIST

WALKER, FERDINAND G., Louisville, Ky.

343. HOOSIER CORNFIELD. 21 X I4K- DONATED BY THE ARTIST

Mr. Ferdinand Graham Walker of Indiana and Kentucky is a notable portraitist and
painter of murals in the Middle West.

WALKOWITZ, ABRAHAM, New York

344. DOCK SCENE. 9x7

345. PIAZZA. 12X9

DONATED BY THE ARTIST

WALLER, FRANK, Morristown, N. J.

346. TOMB OF SHEIK, EGYPT. IO>£ X 7K- DONATED BY THE ARTIST

WALTER, CHRISTIAN J., Avalon, Pa.

347. MOON-LIT SNOW. I9K X I5K. DONATED BY THE ARTIST

WARREN, J. W., New York

348. THE ASCENSION OF CHRIST. 35 X 36^- DONATED BY THE ARTIST

WATSON, CHARLES A., Baltimore, Md.

349. HAZY MORNING. ig^z X ^]4

350. EVENING. 15^ X 10

DONATED BY THE ARTIST

WEISS, MARY L., East Gloucester, Mass.

351. THE FOREST. 24 X 30. DONATED BY THE ARTIST

WHEELER, CLIFTON A., Indianapolis, Ind.

352. REVERIE. 23K X I7K- DONATED BY THE ARTIST

WHITEHURST, CORNELIA, Baltimore, Md.

353. CAROLINE. 3OX36. DONATED BY THE ARTIST

WHITING, JOHN D., New Haven, Conn.

354. AT THE ROOTS OF THE EMPIRE. 22x30

355. THE SPIRIT OF THE WEST. 1 5 X 1 8
- 356. A LESSON IN EFFICIENCY. 20 X 29

DONATED BY THE ARTIST

3D

WHITNEY, HELEN REED, Moylan, Pa.

357. AROUND THE WHARVES. 12X12

358. GRAY DAY. 12X12

DONATED BY THE ARTIST

WILLIAMS, CHARLES SNEED, Chicago, 111.

359. THE COAT OF MANY COLORS. 30 X 4O. DONATED BY THE ARTIST

WOODWARD, DEWING (MISS), Shady, N. Y.

360. MORNING SONG OF THE PINE. 12x30

361. DAWN. 2314 X 15

DONATED BY THE ARTIST

Miss Woodward has studied in Paris; in 1904 at Nantes, France, she took a gold medal.

WOODWARD, MABEL, Providence, R. I.

362. THE MOTHER. l6x20. DONATED BY MRS. ELIZA G. RADIK.E, PROVIDENCE,

R. I.

WLERPEL, EDWARD HENRY, Clayton, N. Y.

363. A SONG OF THE LEAVES. 1 8 X 20>£- DONATED BY THE ARTIST

WYANT, (MRS.), A. H., Jackson Corners, N. Y.

J

64. AN OLD PICTURESQUE HOUSE. l6x 12. DONATED BY- THE ARTIST

YOUNG, ROSE, Philadelphia, Pa.

V. 365. PROVINCETOWN LANE. 9J-2 X I4. DONATED BY THE ARTIST

31

Miniatures

COOLIDGE, BERTHA, Boston, Mass.

V366. PORTRAIT OF MRS. R. 3X4
367. PORTRAIT OF MARIE. 3X4

DONATED BY THE ARTIST

DEANE, LILLIAN R., Los Angeles, Cal.

363. THE MANDARIN'S WEDDING LAMBRAKIN. DONATED BY THE ARTIST

The little picture of a girl in Chinese gown has a special color quality owing to its being
painted on ivory.

HERR, MARGARET, New York

369. SKETCH. DONATED BY THE ARTIST

KNOWLES, ELIZABETH A., New York

370. COMRADES. DONATED BY THE ARTIST

J/

LOWDEN, ELSIE N., Dallas, Tex.

1. PORTRAIT OF A YOUNG GIRL. DONATED BY THE ARTIST

MAY, MARGARET S., Paterson, N. J.

372. YOUNG GIRL. DONATED BY THE ARTIST

MITCHELL, LAURA M. D., Alhambra, Calif.

373. DUTCH PEASANT WOMAN. DONATED BY THE ARTIST

374-

SIMPSON, EDNA H., Saranac Lake, N. Y.

THE PARTY GOWN. DONATED BY THE ARTIST

TURLE, WALTER, Duluth, Minn.

375. AUBURN TONES.

376. SPRING.

DONATED BY THE ARTIST

WARING, LEILA, Wilmington, Del.

377. GEORGE WASHINGTON. DONATED BY THE ARTIST

WYATT, MARY L., Paris, France

378. ROCHAMBEAU, FROM THE CELEBRATED PAINTING BY I.ARIVIERE IN THE

PALACE OF VERSAILLES

379. LAFAYETTE, FROM THE CELEBRATED PAINTING BY COURT IN THE PALACE

OF VERSAILLES

DONATED BY THE ARTIST

32

B* ' *^fi w t^Ba

1 Is «

\\ OFFERING TO THE VIRGIN

Aloysius O'Kelly

33

Water Colors and Pastels

ADAMS, CHARLES P., Estes Park, Colo.

380. SIERRA BLANCA FROM THE LA JARA RIVER. WATER COLOR, I3K X 6j<-

DONATED BY THE ARTIST

BALFOUR, MRS. HELEN, Los Angeles, Calif".

381. THE CANYON. WATER COLOR, I5XI9. DONATED BY THE ARTIST

BEMUS, MARY B., Redondo Beach, Calif.

382. A GRAY DAY. WATER COLOR, II3-4'x8. DONATED BY THE ARTIST

BLUMENSCHEIN, ERNEST L., A.N.A., New York

383. water color. %% x g%. donated by the artist

BOERICKE, JOHANNA M., Philadelphia, Pa.

384. in the heart of the rockies. water color, 21^x14. donated by

THE ARTIST

BREYFOGLE-JOHN, WINSTANLEY, New York

385. CAN SHE MAKE A CHERRY PIE, BILLY BOY? PASTEL, 20X24- DONATED BY

THE ARTIST

BRIDGES, FIDELIA, Canaan, Conn.

386. ROADSIDE WEEDS IN NOVEMBER. WATER COLOR, 30^ X 20%. DONATED BY

THE ARTIST

BUCKLIN, W. S., Riverside, Conn.

387. AUTUMN WOODS. WATER COLOR, 17 X 25. DONATED BY THE ARTIST

BUDWORTH, WILLIAM S., Mt. Vernon, N. Y.

388. BROOK. IN BRONXVILLE. WATER COLOR, l2%yLC)%. DONATED BY THE

ARTIST

BURLEIGH, SYDNEY R., Providence, R. I.

389. FERRY IN BRITTANY. WATER COLOR, I4 X IO. DONATED BY THE ARTIST

BURGESS, IDA J., Woodstock, N. Y.

390. LA TARENTELLA. PASTEL, l£t%yi2l%. DONATED BY THE ARTIST

BUTTON, ALBERT PRENTICE, Boston, Mass.

391. A COLD LUNAR SICKLE. PASTEL, \2%~X.i%. DONATED BY THE ARTIST

CAMPBELL, JESSIE G., St. Paul, Minn.

392. WINTER ON OUR HILL. PASTEL, yA x 4- DONATED BY THE ARTIST

CASEAU, CHARLES H., New York

393. IN THE CONNECTICUT HILLS. WATER COLOR, 1$%X 11%. DONATED BY THE

ARTIST

CHRISTMAS, E. W., R.B.A., Honolulu, T. H.

394. HONOKAHOU COAST. WATER COLOR, 21 % X I4K

395. HANALU BAY COAST, HAWAII. WATER COLOR, 21% X I4K

DONATED BY THE ARTIST

34

CHURBUCK, L. M., Brockton, Mass.

396. MARINE, CAPE ANN. WATER COLOR, l8}4 X I2^i. DONATED BY THE

ARTIST

CLOUGH, JESSIE L., New York

397. TUESDAY AND THURSDAY MORNINGS IN LISIEUX. WATER COLOR, IO<4 X l4<4.

DONATED BY THE ARTIST

CLYMER, EDWIN S., Gloucester, Mass.

398. SOUTH EAST SWELL. PASTEL, IIJ^X^

399. SEPTEMBER GLOW. PASTEL, I I K X gH

400. AN AUTUMN DAY. PASTEL, II1? X IO

401. THROUGH THE RIVER ICE. PASTEL, glA X S<4

402. SUNLIGHT ON SNOW. PASTEL, I Z)/2 X IOJ4

403. THE MILL RACE. PASTEL, I I ]/2 X 9K

404. ON THE WAYS. PASTEL, I I ■< 4 X 9",

405. A GLOUCESTER DOCK. PASTEL, ll}4xg}4

406. BAITING TRAWLS. PASTEL, II-<4 X IO

407. A COLD WINTER DAY. PASTEL, IO^ X <jY2

DONATED BY THE ARTIST

COFFEE, WILLIAM J., Philadelphia, Pa.

^ 408. WOODLAND WITCHERY. PASTEL, I4 X 20. DONATED BY THE ARTIST

COFFIN, W. HASKILL, New York

409. A SCHOOL GIRL. PASTEL, IO>4 X lG]/2
l^ 410. AMONG THE WATER LILIES. PASTEL, 3OX34

DONATED BY THE OSBORNE COMPANY, NEWARK, N. J.

COLMAN, SAMUEL, N.A, New York

411. THE WINDMILL OF LONG ISLAND. PASTEL, I4X IO>2'. DONATED BY THE

ARTIST

COOPER, COLIN CAMPBELL, N.A., New York

412. LAKE AT GREAT BARRINGTON. WATER COLOR. 20 X 12. DONATED BY THE

ARTIST

COTHARIN, KATE L., Boston, Mass.

413. DAYS OF CLOUDLESS BEAUTY. PASTEL, I I ]/2 X 6}4. DONATED BY TH E ARTIST

COTTON, JOHN W., San Ysidro, Calif.

414. A BELGIAN FARM. WATER COLOR, I7KX iyA- DONATED BY THE ARTIST

COWLES, GENEVIEVE A., New York

415. MOUNT HERMAN. WATER COLOR, 35K X I9K. DONATED BY THE ARTIST

CASSIERS, HENRI

416. WATER COLOR SCENE. I2'4 X lyA- DONATED BY THOMAS W. DUNBAR,

MILWAUKEE, WIS.

D'ASCENZO, NICOLA, Philadelphia, Pa.

417. STUDY OF A HEAD. PASTEL, II34X lj}i. DONATED BY THE ARTIST

DALGHERTY, JAMES, New York

418. DECORATIVE PANEL. WATER COLOR, 18x38. DONATED BY THE ARTIST

DOHERTY, LILLIAN COOK, Washington, D. C.

419. A VIRGINIA GARDEN. WATER COLOR, IOX Ii;2'. DONATED BY THE ARTIST

35

I-

DONALDSON, A. W., New York

420. BLOSSOMS. WATER COLOR AND PASTEL, II X 9K. DONATED BY THE ARTIST

421

422

-P3
4-4
425

DONLEVY, ALICE, New York

IN AMERICA. WATER COLOR

IN OUR UNITED STATES. WATER COLOR

NEW JERSEY. WATER COLOR

IN THE NORTH. WATER COLOR

PENNSYLVANIA. WATER COLOR

DONATED BY THE ARTIST

DOW, LELIA A., Madison, Wis.

426. A BIT OF SHORE ON MENDOTA. WATER COLOR, l6 X II. DONATED BY THE

ARTIST

DREIER, DOROTHEA, Riverdale, N. Y.

427. MT. LAFAYETTE LOOKING INTO GRANPED NOTCH FROM SUGAR HILL, WHITE

MOUNTAIN, X. H. WATER COLOR, 20Ji X 1J}4. DONATED BY THE ARTIST

DRAKE, W. H., A.N.A. Los Angeles, Calif.

428. SHEPHERD DOG AND SHEEP. WATER COLOR, I4K X IO. DONATED BY THE

ARTIST

DREYFOUS, FLORENCE, New York

429. ALICE. WATER COLOR, I I X I4

430. A SKETCH OF A BOY. WATER COLOR, II X I4

DONATED BY THE ARTIST

DUSHINSKY, J., New York

431. WINTER MORNING. PASTEL, I3X X \6%

432. THE CLIFF. PASTEL, 9^ X 1 1%

DONATED BY THE ARTIST

DWIGHT, JULIA S. L., Brookline, Mass.

433. GIRL IN GREEN. PASTEL, 8 X IO

434. OPHELIA ROSES. PASTEL, 12 X l6}4

DONATED BY THE ARTIST

EISENLOHR, EDWARD G., Dallas, Texas

43;. A DAY IX WINTER. PASTEL, I $ X I3. DONATED BY THE ARTlST

FANCHER, LOUIS, New York

436. PERFECT FAITH. WATER COLOR, l6^ X 24^. DONATED BY THE ARTIST

FAULKNER, EUNICE F., New York

437. MONHEGAX. WATER COLOR, 1 5 X 20^. DONATED BY THE ARTIST

FIELD, LOUISE B., Fairhaven, Mass.

438. JOHN BOYLE O'REILLY'S HOUSE, HULL, MASS. WATER COLOR, 20K X I4K

DONATED BY THE ARTIST

FRENCH, ALICE H., Williamstown, Mass.

439. THE DEEP SNOWS OF MARCH, WILLIAMSTOWN. PASTEL, iy/i X l~lA. DO-

NATED BY THE ARTIST

CAROLINE

BY

Cornelia Whitehirst

37

FRY, LAURA, Lafayette, Ind.

440. WHITE CHRYSANTHEMUMS. PASTEL, 30 X 40

441. CHRYSANTHEMUMS IN FADING LIGHT. PASTEL, 40 X 28

44L SNOWBALLS A DOMINANT BLUE LIGHT. PASTEL, l^yi X I9K

443. SNOW SCENE MORNING. PASTEL, 9 Xl8K

444. SNOW SCENE EVENING. PASTEL, 8^ X 21 ]/2

DONATED BY THE ARTIST

GARDINER, ELIZA D., Providence, R. I.

445. THE NEW PET. WATER COLOR, 4K X 6I/4\ DONATED BY THE ARTIST

GIRARDOT, HENRI, Grenoble, France

446. LES OMBRAGES (SHADOWS). WATER COLOR, 8K X II. DONATED BY THE

ARTIST

GOODWIN, GILBERTA DANIELS, Weehawken, N. J.

447. AUTUMN LANDSCAPE. WATER COLOR. 12 X %l/i

448. SUMMER LANDSCAPE. WATER COLOR. 12 X %yi

DONATED BY THE ARTIST

GOODWIN, HELEN M., Long Beach, Calif.

449. LUXEMBOURG GARDEN, PARIS. WATER COLOR, I3X X <)l/i. DONATED BY THE

ARTIST

GREGSON, MARIE B., New York

450. FEEDING PUSSY. WATER COLOR, 6x8. DONATED BY THE ARTIST

GROENWEGEN, A. J.

451. MORNING IN THE HOLLAND MEADOWS. WATER COLOR, 20 X I3>2. DONATED

BY THE ELSON ART PUBLISHING COMPANY, BELMONT, MASS.

VAN TRUMP, MISS

452. CHRYSANTHEMUMS. WATER COLOR, 29^ X 22. DONATED BY-MRS. WILLIAM

T. HARRIS, VILLA NOVA, PA.

HADLEY, MARY HAMILTON, New Haven, Conn.

453. EEL RIVER, PLYMOUTH. WATER COLOR, Cj)4 X 13. DONATED BY THE ARTIST

HALL, KLEBER, West Somerville, Mass.

454. AT THE WATER'S EDGE. PASTEL, IO X 6}4. DONATED BY THE ARTIST

HANSON, MAUDE, Woodstock, N. Y.

455. WINTER SUNLIGHT. WATER COLOR, I5KX 13. DONATED BY THE ARTIST

HARTING, G. W., New York

456. COUNTRY NEIGHBORS. WATER COLOR, IO X 12. DONATED BY THE ARTIST

HARTMAN, SYDNEY K., New York

457. ARCTIC GRIP IN MANHATTAN. WATER COLOR, lS}4 X I3. DONATED BY THE

ARTIST

HAZEN, MISS WILHELMINA, Eureka, Calif.

458. OLD HOUSES IN ROUEN, FRANCE. PASTEL, 7 X II

459. THE BLOSSOMING MARSH, SAMOA, CALIFORNIA. PASTEL, IIXX7J-4

DONATED BY THE ARTIST

HAZEN, BESSIE ELLA, Los Angeles, Calif.

460. QUIET EVENING. WATER COLOR, 6x5

461. THE LEAP. WATER COLOR, 7J< X J%

462. OCEAN BEACH. WATER COLOR, 10x6

DONATED BY THE ARTIST

HKII., CHARLES E., Jamaica Plain, Mass.

463. JUNCO AND TREE SPARROW. WATER COLOR, IOK X 7. DONATED BY THE

ARTIST

HELLER, EUGENIE M., New York

464. OCTOBER SUNSET. WATER COLOR, I7K X 24. DONATED BY THE ARTIST

HENNEGUY, (MADEMOISELLE) L., New York

465. COPY OF LADY ELLENBOROUGh's PORTRAIT BY LAWRENCE. PASTEL, lj}4 X

23. DONATED BY THE ARTIST

HIGGINS, EUGENE, New York

466. BARTERING. PASTEL, Iffi X IO. DONATED BY FERDINAND HOWALD, NEW

YORK.

HOLLOWAY, (MRS.) G. C, Cincinnati, O.

467. OLD APPLE TREES IN NEW ENGLAND. WATER COLOR, I7J2 X I4. DONATED

BY THE ARTIST

HOPKINSON, CHARLES SIDNEY, Boston, Mass.

468. BLUE SEA AND BROWN WEED. WATER COLOR, iyA X 9K

469. MANICOLORED ROCKS AND SEA. WATER COLOR, ljyZxgyi

470. A QUIET BAY, SUNSET. WATER COLOR, 13^X9^

471. SHORESCAPE, NEW ENGLAND COAST. WATER COLOR, I3KX9K

HOWELL, FELICIE WALDO, New York

472. LITTLE SHOPS, EDGARTOWN, MARTHA'S VINEYARD. WATER COLOR, 25 X l8j<.

DONATED BY THE ARTIST

HUTSON, CHARLES WOOpWARD, New Orleans, La.

4~V A LOUISIANA BAYOU. PASTEL, ll}4 X 9. DONATED BY THE ARTIST

JACKSON, MISS LESLEY, Washington, D. C.

4~4. OCTOBER. WATER COLOR, I4XXII

47C. A FOREIGN BALCONY IX NEW ENGLAND. WATER COLOR, l^/i X IO.K

DONATED BY THE ARTIST

JACOBY, HELEN E., Indianapolis, Ind.

476. A HINDO CHARM. WATER COLOR, 6 X 9^- DONATED BY THE ARTIST

KING, FRANK, Minneapolis, Minn.

4--. THE FOOT BRIDGE OVER MINNEHAHA FALLS. WATER COLOR, l6'4 X II'4

478. ABOVE MINNEHAHA FALLS. WATER COLOR, l^j4xSj4

DONATED BY THE ARTIST

KLINE, GEORGE T., Columbia, Mo.

479. SUNSHINE ON THE RIVER. WATER COLOR, § X ~. DONATED BY THE ARTIST

KNIGHT, L. ASTON

480. THE OLD FOOT BRIDGE. WATER COLOR, 31x2?. DONATED BY MR. E. T.

WEBB, WEBB CITY, MO.

Mr. Knight is the son of Daniel Ridgway Knight who has passed most of his life in
Paris. He has all medals given by the Paris Salon including the gold one.

39

KOLDE, WILLIAM F., Cincinnati, Ohio

481. A BROOK IN THE WOODS. WATER COLOR, II X I"}!. DONATED BY THE

ARTIST

LEAVITT, AGNES, San Jose, Calif.

482. THE QUEEN OF THE WHITE CITY. WATER COLOR, 48 X 21

The Palace of the Fine Arts at the World's Fair, Chicago, as it appeared at the height
of the Exposition in 1893 reflecting its fair proportions in the lake.

483. GOOSE COVE FROM THE BRIDGE. WATER COLOR, K)Y2 y. \y/i

484. THE ATLANTIC FROM THE HEIGHTS. WATER COLOR, \<)l/2 ~X. \y/i

DONATED BY THE ARTIST

LEONARD, GEORGE H., Paris, France

485. AUTUMN PASTORAL. PASTEL, 8x6. DONATED BY THE ARTIST

LINCOLN, MISS AGNES H., Milwaukee, Wis.

486. FLOWERS. PASTEL, liyi X 1%y2. DONATED BY THE ARTIST

LURIA, CORINNA M., New Orleans, La.

487. A CASTLE IN THE AIR. WATER COLOR, I/X I4. DONATED BY THE ARTIST

MacFARLAN, CHRISTINA, Ardmore, Pa.

488. SUNSET ON THE LAKE. WATER COLOR, 21 X I4. DONATED BY THE ARTIST

MAGONIGLE, EDITH M., New York

489. ADIOS. WATER COLOR, 15x25. DONATED BY THE ARTIST

MANSFIELD, LOUISE B., New York

490. HOME AGAIN. WATER COLOR, I7>^X2lK- DONATED BY THE ARTIST

MAYNARD, GEORGE W., N.A., New York

491. WATER WITCH. PASTEL, l6KXI9K- DONATED BY THE ARTIST

MENTE, CHARLES, Congers, N. Y.

492. THE ROAD TO THE LAKE. WATER COLOR, I/XIOJ2. DONATED BY THE

ARTIST

MORSE, EDWARD L., Stockbridge, Mass.

493. NOVEMBER IN THE BERKSHIRES. WATER COLOR, 9r'4XI234. DONATED BY

THE ARTIST

McCAIG, FLORA T., Chicago, 111.

494. SUNSET. PASTEL, I4K X \Q%

495. AUTUMN ON THE DUNES. PASTEL, l6x \iyi

DONATED BY THE ARTIST

McCOMAS, FRANCIS, Monterey, Calif.

496. THE EDGE OF THE MONTE. WATER COLOR, 30X21^- DONATED BY THE

ARTIST

McKINSTRY, GRACE E., Los Angeles, Calif.

497. A MOTHER OF FRANCE. WATER COLOR, IO>< X I4. DONATED BY THE ARTIST

NEEDHAM, CHARLES AUSTIN, New York

498. GOLD DRIFT. WATER COLOR, IOX 12

499. PARK SNOWS. WATER COLOR, 2oK X 14^

DONATED BY THE ARTIST
40

WATERWITCH

BY

George W. Maynard

41

OF, GEORGE F., New York

500. CHERRY BLOSSOMS. PASTEL, 1~J}4 X 12)4. DONATED BY THE ARTIST

OLCOTT, HARRIET, M. New York

501. THE WORKER. WATER COLOR, IOJ^XII. DONATED BY THE ARTIST

OWEN, ESTHER S. D., Hartford, Conn.

502. THE OLD HOMESTEAD. PASTEL, l6>< X I2J<. DONATED BY THE ARTIST

PRATELLA, A., Naples, Italy

503. ON THE STRAND, ITALY. WATER COLOR, I3KXII. DONATED BY MRS. A.

OBRIG, NEW YORK

PALMER, WALTER L., N.A., Albany, N. Y.

^04. WINTER MOONRISE. WATER COLOR, 20 X 24. DONATED BY THE ARTIST

PARKER, E. A.

505. BY THE RIVER. WATER COLOR, 9^ X 6. DONATED BY MRS. ELIZA G. RADIKE,

PROVIDENCE, R. I.

PARMELEE, GERTRUDE, Warren, R. I.

506. THE BACK ROAD TO BRISTOL. WATER COLOR, gH X 13. DONATED BY THE

ARTIST

PEPPER, CHARLES H., Boston, Mass.

^07. LILAC. WATER COLOR, 9X11^- DONATED BY THE ARTIST

PEYRAUD, ELIZABETH K., Chicago, 111.

508. A MEXICAN. WATER COLOR, IO X I4. DONATED BY THE ARTIST

PLEADWELL, AMY M., Boston, Mass.

509. LILACS IN NAHANT. WATER COLOR, 1 8 X 1 5. DONATED BY THE ARTIST

POND, GEORGE D., Leonia, N. J.

510. THE SNOWY STEPS IN FRANCE. WATER COLOR, IIJ^X I4. DONATED BY

THE ARTIST

RAJON, PAUL

511. STUDY OF A HEAD. PASTEL, l6xi8K- DONATED BY ARTHUR K. KUHN,

NEW YORK

The eminence of M. Rajon in black and white is known wherever drawings and etch-
ings are cherished. This is a rare pastel.

RAKEMANN, CARL, Washington, D. C.

(;I2. THE TOILERS. WATER COLOR, li>Y2 X I7K. DONATED BY THE ARTIST

READ, E. J., Rutherford, N. J.

513. AUTUMN WOODS. WATER COLOR, 1 9 3.4 X 1^%. DONATED BY THE ARTIST

RICE, HENRY W., Boston, Mass.

514. HOMLEA. WATER COLOR, I9X 13)2. DONATED BY THE ARTIST

SARKA, CHARLES N, Green Lake, N. Y.

515. MOSQUE DOORWAY. WATER COLOR, 9 X 1 23^

516. MOORISH TRIBESMEN COMING HOME FROM MARKET. WATER COLOR, I4 X 9^

DONATED BY THE ARTIST

42

SCHWAB, EDITH F., New Haven, Conn.

<;i7. REFLECTIONS EVENING. PASTEL, 22 X 1J. DONATED BY THE ARTIST

SELLERS, MARY, Pittsburgh, Pa.

518. THE MARIGOLD POT. WATER COLOR, 2I>^X27>^. DONATED BY THE ARTIST

SHEAFER, FRANK W., Philadelphia, Pa.

519. MOONRISE. WATER COLOR, 19^x13^4- DONATED BY THE ARTIST

SMITH, HOLMES, St. Louis, Mo.

520. AMONG THE DAISIES. WATER COLOR, I3J4 X 9. DONATED BY THE ARTIST

SNYDER, ANNA F., Rochester, N.\Y.

521. AN OLD APPLE ORCHARD. WATER COLOR, 20J< X l6X- DONATED BY THE

ARTIST

SPAFARD, MYRA B., Denver, Colo.

522. FROM MY STUDIO WINDOW. WATER COLOR, 8K X 26. DONATED BY THE

ARTIST

SPALDING, ELIZABETH, Denver, Colo.

523. CLEAR CREEK VALLEY AND PLAINS. WATER COLOR, lg'/2 X \^A

524. CLEAR CREEK VALLEY AND SONGS PEAK. WATER COLOR, 19.!., X I J ' i

DONATED BY THE ARTIST

SPRINCHORN, CARL, New York

525. LADY IN PINK. WATER COLOR, 8 X 9^

526. A SPANISH DANCER. WATER COLOR, 10 X l6

DONATED BY THE ARTIST

STEPHENS, MRS. CHAS. H„ Moylan, Pa.

527. AWAITING PERMISSION TO ENTER. PASTEL, 1 7 X 22. DONATED BY THE

ARTIST

STONE, CORNELIA PERRIN, Newburyport, Mass.

528. A CAPE COD INLET. WATER COLOR, 20 X 11) i. DONATED BY THE ARTIST

STONER, HARRY, New York

529. FANTASY. WATER COLOR, I4 X I4. DONATED BY THE ARTIST

TREGO, EDWARD COMLY (Deceased)

530. A MARINE. WATER COLOR, IIXl8K- DONATED IN THE ARIIsl's MEMORY

BY HIS MOTHER, MRS. E. A. TREGO, BRYN ATHYN, PA.

TAIT, AGNES, New York

531. LADY FROM FAIRY TALE. WATER COLOR. DONATED BY THE ARTIST

TAPLEY, J. J. WOODBURY, Belfast, Me.

532. THE BEACH. WATER COLOR, II X I4. DONATED BY THE ARTIST

TEWKSBURY, FANNY W., Newton, Mass.

^2,- POPPY GARDEN. WATER COLOR, \\}'2 X \\}i. DONATED BY THE ARTIST

Tl'THILL, MARY, New York

534. RAVELLO. PASTEL, 4<4 X ~j

535. IMMIGRANTS. PASTEL, 4K X 6

536. STREET IN BRUGES. PASTEL, 4'4 X b)4

DONATED BY THE ARTIST

43

VALENTINE, A. R., San Diego, Calif.

<;37- SNOWBALLS. WATER COLOR, 1 8 X l6}4. DONATED BY THE ARTIST

WADSWORTH, ADELAIDE E., Boston, Mass.

538. SAND DUNES AT BARNEY'S JOY. PASTEL, 3^ X 11)4. DONATED BY THE
ARTIST

WEBER, MAX, New York

^39. STILL LIFE. WATER COLOR, IO>£ X 8K- DONATED BY THE ARTIST

WERNTZ, CARL N., Chicago, 111.

540. HARBOR SURF, HAVANA. WATER COLOR, gj4 X 6j4- DONATED BY THE

ARTIST

WHITTEMORE, GRACE C, East Orange, N. J.

541. JONQUILS. WATER COLOR, g]/2 X I4K. DONATED BY THE ARTIST

WILLARD, THEODORA, Cambridge, Mass.

542. COMING INTO PORT. WATER COLOR, IO X I4. DONATED BY THE ARTIST

WILLIAMS, ADELE, Richmond, Va.

543. THE EARLY AUTUMN. WATER COLOR. DONATED BY THE ARTIST

WILLIAMS, MISS KATE A., New York

^44. THE FOOT-PATH. WATER COLOR, 14x10^. DONATED BY THE ARTIST

WOLCOTT, MISS KATHERINE, Chicago, 111.

545. A BIT OF BELGIUM. PASTEL, 9 X I4. DONATED BY THE ARTIST

44

PEREZ THE POET

BY

Maurice Fromkes

45

Black and White, Prints and Photographs

AYER, MARY L., North Conway, N. H.

546. ELLEN. DRAWING, l8>jX26. DONATED BY THE ARTIST

BARTLETT, TRUMAN H., Boston, Mass.

547. THE WOUNDED DRUMMER BOY. PHOTOGRAPH, ^H X 9K
,48. THE WOUNDED DRUMMER BOY. PHOTOGRAPH, ^/i X ()}4

549. THE WOUNDED DRUMMER BOY. PHOTOGRAPH, 4Ji X 9X

550. THE WOUNDED DRUMMER BOY. PHOTOGRAPH, 4^ X 9

DONATED BY THE ARTIST

BLUMENSCHEIN, MARY GREENE, A. N. A., New York

551. ORIGINAL DRAWING IN CHARCOAL THAT APPEARED IN COLLIER'S HEAD OF

GIRL. 11 X JO. DONATED BY THE ARTIST

BOUGUEREAU, GUILLAUME

552. SKETCH, IO X 13. DONATED BY HENRY C. LYTTON, CHICAGO, ILL.

BROWN, ETHEL PENNEWILL, Wilmington, Del.

^53. THE RUINS CHATEAU HENRI IV. ETCHING, 5 X 6^

554. RUINS OF ST. FRAMBOURG. ETCHING, 5 X 6j<

555. EARLY MORNING, SENLIS, TOWER OF ST. PIERRE, I9I3. ETCHING, 5x7

556. GRISETTE, THE LITTLE DONKEY THAT BROUGHT VEGETABLES IN FROM THE

GARDEN EACH DAY TO THE CONVENT. ETCHING, 3 X 1}4

557. MADAME COSSIN AND MADAME TALPOMBA. ETCHING, 5x7
558- LA PORTE POTERNE. ETCHING, 5x7

559. ANCIENT FRENCH GARDEN. ETCHING, 'J l/i X %7/s

DONATED BY THE ARTIST

CALEWAERT, LOUIS H. S., Chicago, 111.

560. JACKSON PARK. ETCHING, g}i X $*/&

561. ON THE DETROIT RIVER. ETCHING, 6j< X $}i

562. A BELGIAN. ETCHING, 5x7

563. GRANDMOTHER SLEEPING. ETCHING, 6 X 8j<

DONATED BY THE ARTIST

CAMPBELL, JESSIE G., St. Paul, Minn.

564. THE OLD TREE IN MOTHERS GARDEN. MONOTYPE, 8 X $}4. DONATED BY

THE ARTIST.

CHANDLER, GEORGE WALTER, New York

565. VIA RICCABONO, SAN REMO. ETCHING, 7 X 1 1

566. IMPASSE DU LION, ALGIERS. ETCHING, 6}4 X 1 1

567. FARMYARD IN AURRIGON. ETCHING, 8 X 1 1}4

568. VIA MONTE, SAN REMO. ETCHING, J}4 X 1 1 }i

569. BABEL TUNIS, KASROWAN. ETCHING, 8 X 1 1 J<
570- SOUVE EL DJEMMA. ETCHING, 1 1 >£ X 8

571. RUE KLEBER, ALGIERS. ETCHING, 7 X IOJ<

572. WESTMINSTER ABBEY. ETCHING, IOJ^ X l6

573. PONTE VECCHIO, FLORENCE. ETCHING, 9 X 1 2K

DONATED BY THE ARTIST
A pupil of Laurens at the Julian School' and a native of Wisconsin. Etchings of Mr.
Chandler are in most of the great public collections.

46

COX, KENYON, N. A., New York

574. FRANCE. DRAWING, l^J/i X lqj4. DONATED BY THE ARTIST

Study for Figure of France in the Marriage of the Atlantic and Pacific. Decoration in
Senate Chamber of Wisconsin State Capitol, Madison, \\ isconsin. Mr. Cox is celebrated
for the beauty of his initial work when he begins a mural painting. The next stage would
be to put the drapery on '"France."

CURTIS, W. F., Ashfield, Mass.

575. STUDY IN CRAYON. 12 X I4. DONATED BY THE ARTIST

DAUGHERTY, JAMES, New York

576. UNDER THE BRIDGE. ETCHING, 21 X 25. DONATED BY THE ARTIST

577. PHOTOGRAPH. HELEN FOURMENT IN THE PAINTING BY RUBENS. S X 1 7 T j .

DONATED BY MESSRS. DOLL AND RICHARDS, BOSTON, MASS.

DODGE, OZIAS, Center Harbor, N. H.

Having studied at the Ecole des Beaux Arts under Gerome this artist is a painter as well
as an etcher. His prints are in all the principal collections.

578. THE HILLTOP. ETCHING, 6^4 X 5

579. OCTOBER. ETCHING, 5 X 5K

580. EVENING ON THE DUNES. ETCHING, 6;'4 X 4

581. IMP. ETCHING, 4K X ^H

582. WEEPING WILLOW. ETCHING, JXj1,

583. BATHER GIRL. ETCHING, 5 X 4K

DONATED BY THE ARTIST

DRYDEN, HELEN, New York

584. COSTUME DESIGN. DRAWING, II X I 4 ' 4
58^. COSTUME DESIGN. DRAWING, I I X I4J<

DONATED BY THE ARTIST

ELLIS, EDMUND L., New York

586. THE CHAPEL OF THE INTERCESSION. ETCHING, 22 X l6,!-£. DONATED BY THE

ARTIST

Mr. Fllis is an architect who is also a painter and an etcher.

EVANS, JOHN W., New York

587. DOWN BY THE DANK TARN OF AUBER. I4 X Ig

588. THOMAS A. EDISON USING FIRST PHONOGRAPH. \ y/2 X 1 8^

DONATED BY THE ARTIST
Mr. Evans is that rare person nowadays, an engraver on wood.

FLAGG, J. MONTGOMERY, New Ymk

589. PLEADING HIS CAUSE. ILLUSTRATION, 1~] }4 X I9K

590. A HEROINE UNDER FIRE. ILLUSTRATION, Tjyi X I9K

591. A DARK. MOMENT. ILLUSTRATION. 23 X \%]4

DONATED BY THE ARTIST
Mr. Flagg's cartoons are famous all over the world.

FROST, A. B., Madison, N. J.

1592. STARTING OUT. DRAWING, I I Yi X I4K

593. A CIVIL WAR RELIC. DRAWING, Il'j X I4K

594. GOL DERN THEM PESKY CROWS. DRAWING, II1, X 1 4 ' _

595. EVIL DAYS. DRAWING, IIJ^X l4'j

596. GOOD-BYE. DRAWING, IlKX I4K

597. GRINDING THE AXE. DRAWING, Il'j X 1 4 ' _>

DONATED BY THE ARTIST
Not as a humorist but as a remarkable painter of field sports is Mr. Frost best known.
He has spent years abroad, and at an advanced age works with the vigor of youth.

47

GUNN, ARCHIE, New York

598. COQUETTE. CARTOON, 17 X 22

599. BIRDS OF A FEATHER. CARTOON, 20 X 29K

600. MY TEDDY BEAR. CARTOON, \~j X 24

601. SPRING SONG. CARTOON, \1}/2 X l8

DONATED BY THE ARTIST

GREENLEAF, RICHARD C, Lawrence, L. I.

602. LA RUE BRISE-MICHE. DRAWING, $% X IOif

603. A STREET IN THE OLD TOWN, CANNES, FRANCE. DRAWING, 4 X IO

DONATED BY THE ARTIST

GREER, BLANCHE, Overbrook, Pa.

604. CONNECTICUT AVENUE BRIDGE. ETCHING, 8K X I2J/4'. DONATED BY THE

ARTIST

60 q
606
607
608
609
6lO
6ll
6l2

613
6I4

615

6l6
617

6l8
619
620
621
622
623
624

HARDING, NELSON, New York

THE IDEAL SANTA CLAUS ! CARTOON

CAN THE TAIL WAG THE DOG. CARTOON

BYNG ! CARTOON

THE BEAR'S HUG. CARTOON

BUT IT READS WELL FROM A DISTANCE. CARTOON

A SIGN OF THE TIMES. CARTOON

NO MAN'S LAND. CARTOON

THE NEW YEAR. CARTOON

READY FOR THE KAISER's PEACE OFFER. CARTOON

THERE'S ALWAYS ROOM AT THE TOP. CARTOON

ALL FACES LOOK ALIKE TO US. CARTOON

THE BIRD THAT FLEW THE COOP AND FOILED THE KAISER. CARTOON

THE INADEQUATE SHOVEL. CARTOON

DONATED BY THE ARTIST
Mr. Harding is the well-known cartoonist of the Brooklyn Eagle.

HAZEN, BESSIE ELLA, Los Angeles, Cal.

EUCALYPTUS. ETCHING, 6 X 8^<

CYPRESS AT POINT LOBOS, CALIF. WOOD BLOCK PRINT, 6x9

WINDBLOWN. BLACK AND WrHITE. 5 X IO

"WINDBLOWN. BLACK AND WHITE. 7 X IO

MONOTYPE. 6x8

WOOD BLOCK PRINT

WOOD BLOCK PRINT

DONATED BY THE ARTIST

HOWELLS, JOHN MEAD, New York

625. OLD CITY' GATES. ETCHING

626. PORTCULLIS. ETCHING

DONATED BY THE ARTIST

HOWITT, JOHN NEWTON, New York

627. THE JITNEY LADY. CARTOON, 27^4 X I9K

628. DRAWING THAT APPEARED IN "THE LADIES HOME JOURNAL." Jl, X iG

DONATED BY THE ARTIST
4S

KATWYK GIRL

BY

Amy Cross

49

HURRY, LUCY W., Hempstead, L. I.

629. THE DANCER. COLORED PRINT. l^H X lg%

630. STRANDED. BLACK. AND WHITE. IO X I $%

DONATED BY THE ARTIST

63'
632

(>33
634

£>35
636

JAQUES, BERTHA E., Chicago, 111.

THE TANGLE, CHIOGGIA. ETCHING
PARADISE BRIDGE. ETCHING .
PEAT BOAT AT MARK.EN. ETCHING
BACK OF ROMAN HOUSE. ETCHING
THAMES BOATS. ETCHING
THAMES SHIPPING. ETCHING

DONATED BY THE ARTIST

JOHNSON, HERBERT, Philadelphia, Pa.

637. SOMEWHERE IN FRANCE. CARTOON, I3K X 21

638. JOFFRE : HE IS THE ANTITHESIS OF THE EFFIGY. CARTOON, 1\x/2 X I $%

DONATED BY THE ARTIST

JUNG, A. JAC, West Hoboken, N. J.

639. THE PINE WOODS. ETCHING, $}4 X &/,

640. WILLOWS IN WINTER. ETCHING, J% X %%

641. ELMS IN SPRING. ETCHING, JJ4 X 8j<

642. AUTUMN WOODS. ETCHING, J% X 8%

643. THE PLACID STREAM. ETCHING, 8j< X J %

DONATED BY THE ARTIST

KIMBALL, KATHERINE, London, England

644. PRESBYTERE DE ST. MACLOU A ROUEN. ETCHING, ~J X 9K

645. CHATEAU GAILLARD, PETIT ANDALYS, FRANCE. ETCHING, 9 X II

DONATED BY THE ARTIST

KING, W. B., New York

646. ILLUSTRATION. DRAWING, 28 X 38. DONATED BY THE ARTIST

KIRBY, ROLLIN, New York

647. A SICK MAN OF THE NORTH. CARTOON, iy/z X I5K

648. STANDING BY THE KAISER. CARTOON, I4K X lg}4

DONATED BY THE ARTIST
Mr. Kirby is the well-known cartoonist of the New York World.

LAWRENCE, CHARLES ARTHUR, Lynn, Mass.

649. OLD TIDE MILL, COHASSETT. DRAWING, 11% X IO

650. THE SUNNY BACK YARD. DRAWING, I33-4 X IO

651. FISHERMEN'S RACE, MARBLEHEAD, "MISSED STAYS." DRAWING, I9J+ X 14^

DONATED BY THE ARTIST

LEVY, BEATRICE S., Chicago, 111.

652. RAINY NIGHT. COLORED ETCHING, 7J< X 13^. DONATED BY THE ARTIST

LEVY, WILLIAM A., Gloucester, Mass.

653. STUDY OF A HEAD. BLACK AND WHITE, 5K X 8

654. STUDY OF A HEAD. BLACK AND WHITE, IO X -] }i

DONATED BY' THE ARTIST

5°

%<*«**

RETRIEVING, by Edward H. Potthast

-r^v^'at'Tf

^

y "

THE FOOTBRIDGE, by Astor Knight
51

LYND, J. NORMAN, New York

655. PLATTSBURG. CARTOON. DONATED BY THE ARTIST

Mr. Lynd is the well-known cartoonist of the New York Herald.

MAXWELL, VIOLET

656. WARNING TO EVIL DOERS. COLORED DRAWING, I4 X 20

MORRISON, LOUISE GERTRUDE, Bryn Mawr, Pa.

657. PORTRAIT OF A LADY. ETCHING, 4^ X Gj4

658. THE FOUNTAIN, ARC DE L'OBSERVATION. ETCHING, 3 % X 4K

DONATED BY THE ARTIST

OAKLEY, THORNTON, Philadelphia, Pa.

659. THE CONSCRIPT MOTHER. DRAWING, 16XX2334. DONATED BY THE

ARTIST

OPPER, F., New Rochelle, N. Y.

660. A LECTURE. CARTOON, 13 X 8

661. WAR. CARTOON, 15 X 21 y2

DONATED BY THE ARTIST
For the past four decades the humor of Mr. Opperof the New York American has given
delight to thousands — he is the Dean of funny newspaper artists.

PAULUS, FRANCIS P., Detroit, Mich.

662. OLD BRIDGES. COLORED ENGRAVING, I I?/,' X 934

663. SUNSHINE AND SHADOW. COLORED ENGRAVING, I1l/i X IO

664. THE COPPERSMITHS. ETCHING, ~j X 8j'4'

665. THE EEL WOMEN. COLORED ENGRAVING

666. BELFRY OF BRUGES. COLORED ENGRAVING, *]% X 11}4

667. QUAI OF THE MINNESINGER. COLORED ENGRAVING, 9^ X 12^

DONATED BY THE ARTIST

PEARSON, RALPH M., Milton, N. Y.

668. TOILERS OF THE CITY. ETCHING, 13x6

669. ELVERHOJ COLONY. ETCHING, 1034 X l^H

DONATED BY THE ARTIST

PLATT, MISS ALETHEA H., New York

670. RURAL FRANCE. ETCHING, 6K X 5. DONATED BY THE ARTIST

REICH, JACQUES, New York

671. PORTRAIT OF WASHINGTON. ETCHING

672. PORTRAIT OF LINCOLN. ETCHING

DONATED BY THE ARTIST

REINDEL, WILHELM G., Euclid, O.

673. ANDANTE CON EXPRESSIONE. ETCHING, gli X 5

674. THE OAKS. ETCHING, 7J4 X 5

675. RUSTIC HOME. ETCHING, 7x5

676. MID WINTER. ETCHING, 5x4

DONATED BY THE ARTIST

ROSEN, DAVID

677. PORTRAIT OF LINCOLN. ETCHING, I4X 17. DONATED BY ARTHUR H. HAHLO

& CO., NEW YORK.

52

OLD HOUSES AT BRUGES

BY

Sarah Noble Ives

53

ROSENFIELD, LESTER, Paris, France

678. OLD BARRACKS. ETCHING, IO X ~/ %

679. THE BACK YARD. ETCHING, 5x4

680. THE LAST SUPPER. ETCHING, 7J4, X ffi

DONATED BY THE ARTIST

RUSH, OLIVE, New York

681. THE LOAN OF A HEARTH. BLACK AND WHITE, I4K X Igj4. DONATED BY THE

ARTIST

SCHIFFER, ETHEL BENNET, New Haven, Conn.

682. THE BIRD CAGE. COLORED ETCHING. DONATED BY THE ARTIST

SHOPE, HENRY B., New York

683. BLACKWELL'S ISLAND BRIDGE. ETCHING, J X 4^

684. CATHEDRAL. ETCHING, 4X7

685. ERIE BASIN, NEW YORK. ETCHING, 43., X J

686. THE GRANITE STATE. ETCHING, 7 X 4

687. THE HILLS OF MICHRE NICOLAS. ETCHING, 7 X 4^

688. STREET IN FRANCE. ETCHING, 4K X 6K

DONATED BY THE ARTIST

SHAVER, J. R.

689. THE OLD, OLD STORY. COLORED DRAWING, II^X HX

STAHR, PAUL

690. EASTWARD HO ! COLORED DRAWING, 20 X 2^.%

691. OVER THERE. COLORED DRAWING, 23 X 28.K

DONATED BY MR. JOHN AMES MITCHELL, NEW YORK, EDITOR OF Life

STURGIS, D. C, Melrose, Mass.

692. RETURNING FROM MARKET. ETCHING, 8}4 X 11%

693. RAG PICKER. ETCHING, 8 X I 1 1/i

694. A CUP OF TEA. ETCHING, 9 X 8j<

695. A NEW ENGLAND FARM. ETCHING, 8 ]4 X IO>£

696. VIOLINIST. ETCHING, 6% X 8^4

697. VENDOR OF GREENS. ETCHING, J X g]4

THOMPSON, FREDERICK M., Portland, Me.

698. WOODLAND SYMPHONY. COLORED PRINT, I9KXI5. DONATED BY MRS.

FREDERICK M. THOMPSON AND EMPLOYES OF THE THOMPSON ART CO.,
PORTLAND, ME.

VERESMITH, DANIEL A., London, England

699. WHO IS IT? LITHOGRAPH, l8j^XII.K

700. THE ROMANY CHAL. LITHOGRAPH, I1}i X l%}4

701. SKETCH, PORTRAIT. LITHOGRAPH, 1 5K X l~] yi

702. BEHIND THE CURTAIN. LITHOGRAPH, 13^X17^

703. THE HUMBLE STALL. LITHOGRAPH, I^^XIJ^

704. YOU SHALL ALSO MOUNT WITH ME. LITHOGRAPH, 16x7

DONATED BY THE ARTIST

UNKNOWN ARTISTS

705. BLIND MAN'S BUFF. COLORED PRINT. DONATED BY MESSRS. H. MILCH AND

E. SMALLS, NEW YORK

54

706.

CLIPPER

SHIP, "

707.

CLIPPER

SHIP,

708.

CLIPPER

SHIP,

709.

CLIPPER

SHIP, "

710.

CLIPPER

SHIP,

711.

CLIPPER

SHIP, "

'THREE BROTHERS." COLORED PRINT
'OCEAN EXPRESS." COLORED PRINT
'DREADNOUGHT" OFF TUSKAR LIGHT.
'FLYING CLOUD." COLORED PRINT
'SWEEPSTAKES." COLORED PRINT
'DREADNOUGHT." COLORED PRINT
DONATED BY MAX WILLIAMS, NEW YORK

COLORED PRINT

712.

WILLIAMSON, ADA C, Philadelphia, Pa.

THE LOAFERS. ENGRAVING. DONATED BY THE ARTIST

55

Statuary, Etc.

APPLEGATE, FRANK G., Trenton, N. J.

713. EGYPTIAN DANCER. PLASTER. DONATED BY THE ARTIST

714.

AYTON, CHARLES W., Paris, France

MADAME CHRYSANTHEME. BRONZE. DONATED BY THE ARTIST

The sculptor has work in the Art Museum of St. Louis. He is a medal man and took
an honorable mention at the Salon.

BALL, CAROLINE P., Westfield, N. J.

71^. THE ENTOMOLOGIST. PLASTER

716. THE CANDLE. BAS RELIEF

DONATED BY THE ARTIST
A pupil of Saint-Gaudens, Mrs. Ball has specialized in the decoration of fountains.

BARTLETT, MADELINE A., Boston, Mass.

717. HEAD OF A CHILD. PLASTER. DONATED BY THE ARTIST

Pupil of H. H. Kitson.

BARTLETT, PAUL W., Washington, D. C.

718. EAGLE. BRONZE

719. GIRL'S HEAD. PLASTER

DONATED BY THE ARTIST
This sculptor has passed many years in France. Indeed, Paul Bartlett has monuments
to his credit in Paris, and recently completed the figure groups for one of the grand pedi-
ments on the Capitol in Washington. Son of the sculptor Truman H. Bartlett.

720.

BJORKMAN, OLAF, Brattleboro, Vt.

HEAD OF A THINKER. PLASTER. DONATED BY THE ARTIST

BROWN, IRENE, New York

72 1- REALIZATION. BRONZE. DONATED BY THE ARTIST

BRADFIELD, ELIZABETH PALMER, Pontiac, Mich.

722. KING BELL. BRONZE. DONATED BY THE ARTIST

CALVERLEY, C.

723. GEORGE WASHINGTON. BAS RELIEF AFTER THE BUST BY HOUDON. DONATED

BY ALBERT ROSENTHAL, PHILADELPHIA, PA.

724.

725-

CHAMBERLIN, EDNA W.

HIS FATHER'S SON. PLASTER
THE MUFF. BRONZE

DONATED BY THE ARTIST

MOWBRAY-CLARKE, JOHN FREDERICK, Pomona, N. Y.

726. THE POET. BRONZE. DONATED BY THE ARTIST

Mr. Mowbray-Clarke is a sculptor and medal designer with work in the Metropolitan,
New York.

56

ITALIAN GIRL

BY

Margaret F. Richardson

57

CONRAT, ILSA TWARDOWSKA

727. BRAHMS. BUST, PLASTER. DONATED BY LEILA USHER, NEW YORK

DAGGETT, MAUD, So. Pasadena, Cal.

728. WALL FOUNTAIN. STONE. DONATED BY THE ARTIST

In Southern California this sculptress has fountains to her credit. She is a pupil of
Lorado Taft.

DAVIS, CHARLES P., St. Louis, Mo.

729. BOWL. COPPER. DONATED BY THE ARTIST

EDMOND, ELIZABETH, Pasadena, Calif.

730. TEARS. BAS RELIEF PLAQUE IN BRONZE. DONATED BY THE ARTIST

A pupil of Injalbert in Paris, this sculptress has worked with Bartlett, Dallin and Frazer
in America.

FRENCH, DANIEL C, New York

731. VANITY. BRONZE. DONATED BY THE ARTIST

A charming fancy in bronze by the dean of American Sculptors, author of "Death
and the Young Sculptor" and many single figures and groups in New York and other
cities. His equestrian "Washington" stands in Paris.

GANIERE, GEORGE R., Chicago, "ill.

732. LITTLE JONNIE. PLASTER. DONATED BY THE ARTIST

GELERT, JOHANNES S., New York

733. PERSEUS DELIVERING ANDROMEDA. BAS RELIEF. DONATED BY THE ARTIST

Born in Denmark, and a student at Copenhagen the sculptor has gained many gold
medals in his adopted country for exhibited work and has designed many statues and
monuments.

GREGORY, JOHN, New York

734. THE FROG GIRL. PLASTER. DONATED BY THE ARTIST

Mr. Gregory won a fellowship in the American Academy in Rome which kept him
abroad for three years.

GUEST, GEORGE, Groton, Conn.

735. THE GRADUATE. BRONZE. DONATED BY THE ARTIST

HORCHERT, JOSEPH A.; St. Louis, Mo.

736. THE SAVIOUR. PLASTER. DONATED BY THE ARTIST

HUMPHRISS, CHARLES H., New York

737. THE APPEAL. BRONZE. DONATED BY THE ARTIST

HUNT, ESTHER, Los Angeles, Calif.

738. PLUMBLOSSOM. PLASTER

739. AH WU. PLASTER

740. AH WU. PLASTER

741. JONQUIL. PLASTER

742. JONQUIL. PLASTER

743. SUEZ. PLASTER

744. POMO. PLASTER

745. POMO. PLASTER

DONATED BY THE ARTIST
These little heads of Chinese and Japanese children are charming in color and excellently
modelled, very decorative and suited to library and parlor.

JONES, FRANCES D., Philadelphia, Pa.

746. SMALL BEAVER. PLASTER PAPER WEIGHT. DONATED BY THE ARTIST

58

KOHLER, ROSE, Cincinnati, Ohio

-4-. BOOK ENDS. PLASTER. DONATED BY THE ARTIST

KORBF.L, J. M., New York

748. MODESTY AND VANITY. BRONZE. DONATED BY THE ARTIST

LAURENT, ROBERT, New York

749. LADY'S HEAD. WOOD CARVING. DONATED BY THE ARTIST

MASON, MARY WINFIELD

7^0. ALBERT I, KING OF THE BELGIANS. BRONZE Bl ST

MORAHAN, EUGENE H., New York

751. FROG. BRONZE. DONATED BY THE ARTIST

McCARTAN, E., New York

7>2. TAN. BRONZE. DONATED BY THE ARTIS1

PAIST, HENRIETTA BARCLAY, Sr. Paul, Minn.

753, LAMP VASE. PORCELAIN. DONATED BY THE ARTIST

PORTNOFF, ALEXANDER, Philadelphia, Pa.

754. DEMETER AND PERSEPHONE. BRONZE. DONATED BY THE ARTIST

755-

RICKETSON, WALTON, New Bedford, Mass.

HENRY D. THOREAl". PLASTER. LIFE SIZE BUST. DONATED BY THE ARTIST

TOWNE, MRS. CONSTANCE T., Noroton, Conn.

7*56. I.'oiSEAU AZURIN DE JOI, A YOUNG DANCING GIRL. PLASTER. DONATED BY
THE ARTIST

UNKNOWN ARTIST

757 \ND 70O. DANCING GIRLS. PORCELAIN FIGURINES. DONATED BY L. ORSELLI,
NEW YORK

VINCENZO, MISERENDINO, New York

758. CONTEMPLATION. PLASTER STATUETTE. DONATED BY THE ARTIST

50

Miscellaneous

UNKNOWN CHINESE PAINTER

759. THE FAIRY (60O YEARS OLD). DONATED BY A. W. BAHR, NEW YORK

Although this Kakemono must have been always beautiful, age has added greater charm
to the colors. The subject is one familiar to Chinese literature and represents a nymph,
a supernatural woman.

BAYNE, WILLIAM, New York

760. EXAMPLE OF BATIK WORK. 15 X 21. DONATED BY THE ARTIST

Dyed in the Javanese method.

FRERET, EMILY M., New Orleans, La.

761. JEANNE d'aRC. EMBROIDERY. DONATED BY THE ARTIST

UNKNOWN ARTIST

762. BOUQUET OF ROSES. TINSEL PICTURE, I4K X IQ.J4- DONATED BY C. F.

DICKENSON, NEW YORK

A combination of colored tinsels pasted on boards with water color for outlines and
drawing. Curious and interesting technique.

UNKNOWN ARTIST

763. JAPANESE GIRL. l8TH CENTURY PICTURE ON GLASS, II X 1$J4- DONATED

BY KARL FREUND, NEW YORK

PIETZ, ADAM, Philadelphia, Pa.

764. LINCOLN MEDAL, GIRARD MEDAL, DECATUR MEDAL, GOOD LUCK MEDAL.

BRONZE, OF VARIOUS SIZES. DONATED BY THE ARTIST

COLORPLATE ENGRAVING COMPANY, New York

The reproduction of Mr. John Newton Howitt's beautiful picture, "The Eyes of Love," and the
color printing were donated by the Colorplate Engraving Company, of New York.

The billboard space for the large posters displayed about the city is donated
by the VAN BUREN AND NEW YORK BILL POSTING COMPANY.

The use of the ANDERSON GALLERIES for the Exhibition is given rent
free by the proprietors.

60

CLARA LORING, OF THE GRAND OPERA

BY

Cornelia C. Davis

6 i

Art Objects Donated to The Fund and Dis-
posed of Prior to This Exhibition

DOYLE, C. W., New Orleans, La.

AT THE ISTHMUS. DONATED BY THE ARTIST. S4O

FANCY, LYMAN, Forest Hills, L. I.

STILL LIFE. OIL. DONATED BY THE ARTIST. $2$

GILCHRIST, W. W., Jr., Philadelphia, Pa.

MENDING THE FLAG. OIL. DONATED BY THE ARTIST. SOLD AT THE HERO LAND

BAZAR, NEW YORK, FOR S5OO
A SILVER VASE. DONATED BY P. JACKSON HIGGS, OF THE HOUSE OF PHILIP ORIEL,

NEW YORK. SOLD AT THE HERO LAND BAZAR, NEW YORK, FOR $22$

HUNT, ESTHER, Los Angeles, Calif.

PLUM BLOSSOM. PLASTER STATUETTE. DONATED BY THE ARTIST. $20

MAZUR, WLADYSLAW, New York

MERHISS. STATUETTE. DONATED BY THE ARTIST. $2$

POOLE, BERT, Dorchester Center, Mass.

EARLY OCTOBER, MILTON, MASS. PASTEL, 22 X 19. DONATED BY THE ARTIST.

SHERWOOD, MARY CLARE, Lyons, N. Y.

EARLY AUTUMN MORNING. OIL. DONATED BY THE ARTIST. S137

TADAMA, F., Seattle, Washn.

SCENE ON THE BEACH, KATWYK, HOLLAND. OIL PAINTING. DONATED BY THE
ARTIST. $150 ■

TRAVIS, OLIN HERMAN, Dallas, Texas

LANDSCAPE. DONATED BY THE ARTIST. $83

TUTHILL, MARY, New York

PASTEL. DONATED BY THE ARTIST. $10

WILLET, WILLIAM, and LEE, ANNIE, Philadelphia, Pa.

765. STAINED GLASS PANELS, DANTE AND BEATRICE, WITH TWO CIRCULAR UPPER
LIGHTS. 2% FEET X I FOOT.

DONATED BY MR. AND MRS. WILLET, PHILADELPHIA, PA. .
These two long lights of brilliant glass with their round upper lights reflect in manyways
the Italian Renaissance.

WOODWARD, ELLSWORTH, New Orleans, La.

SOUTHERN PINES. PAINTING, 18x24. DONATED BY THE ARTIST. S15O

62

THE LAVENDER PARASOL

BY

David Ericson

63

STAINED GLASS PANELS, i6th CENTURY STYLE

BY

William and Annie Lee Willet

64

Sentiments of Artists Inspired by Soldiers
Who Have Lost the Precious Sense of Sight

The generosity of artists and their quick, warm hearted sympathy are proverbial. No finer or
more remarkable example of these traits probably ever has been afforded than in this Exhibition.
The American-British-French-Belgian Permanent Blind Relief War Fund last summer sent out an
appeal to American artists for pictures and statuary to be sold for the benefit of blinded soldiers. This
collection is the answer. Works of art poured in from all parts of the country. Some came from such
far off places as Paris, London, and Honolulu. Sight to artists is, of course, the most precious of the
senses and realization of all that its loss must mean found expression in hundreds of letters that reached
the Fund. Appended are a few of these sentiments:

To whom could your Fund appeal more than to the artist — through whose eyes comes the great joy of life, appreciation of
beauty?— KATHERINE LANGHORNE ADAMS, New York.

To assist them in every available way is the least we, who have our sight and strength, can do.

—HENRY J. ALBRIGHT. Glenmont, N. Y.

Of alt the host of maimed and shattered manhood who have made a supreme sacrifice for the cause of liberty, justice and
a world peace for which we are fighting, the brave, splendid fellows who have lost their sight and now find themselves in a
darkened world by this great catastrophe of nations, should appeal most to our sympathies for all the help and encouragement
that we can give.— JOEL NOTT ALLEN, Flu, lung. N. Y.

The greatness of the human sacrifice certainly becomes the measure by which the Divine Love bestows its blessing of a
rarer vision and very often of a more noble manhood. This does not lessen our responsibility. Our appreciation and gratitude
for this great service rendered by those brave ones should be in like measure of service, that we be not found wanting, found
"blind" also to our privilege of serving and heeding not the rebuke of our Master, "Having eves ye see not."

MAY AMES. Cleveland. Ohio

I do indeed feel that it is a privilege to be asked to contribute a painting to help along a cause that is as near to the heart
of every true American as this Permanent Blind Relief War Fund. I thank the Committee for giving me an opportunity to
help in this way.— EDITH C. BARRY, Montclair, N.J.

To be able to assist, even in a slight degree, in a cause so appealing, and to have the opportunity to do so through such a
wonderful organization are privileges to be devoutly thankful for — MARY B. BEMUS, Redondo Beach, Cal.

To be blind, never to be able to see Nature's wonders or our beloved ones' faces, ever in eternal darkness, must be a heavy
cross to carry. It is to miss our great birthright, all that is glorious in the mighty sun, the silent moonbeams and every season's
awe-inspiring scenery, and— the most cruel — never to see the one you most love. I bow reverently to vou, blind heroes, for
you carry the Light within you.— OLA F BJORKMAN, Ames Hill, Vt.

I hope that each artist who is invited will send freely and give his favorite child — as all true painters love their pictures as
they do their children— for the relief of the Blinded Soldiers.— LOUISE UPTON BRUMBACK, New Y'ork.

I thank you for giving me an opportunity to help in a small way, this splendid cause.

—EDNA W. CHAMBERLIN. Summit, N. J.

If a picture of mine will contribute even a little to the work for the blind which you are carrying on I shall be very glad
The sense of beauty cannot die and will live in some form even if sight is lost. — JESSIE L. CLOUGH, New York.

W hile one would be glad to respond to all appeals for war causes, there can be nothing that will reach the painter like this
appeal for the sightless, for those who will never again see all the beauty and wonderful color that is still left in the world in
spite of war and destruction. — ANNA BELLE CRAIG, Pittsburg, Pa.

I regard blindness as the next thing to death and I personally would rather die than be blind. But as the poor unfortunate
soldiers have no choice I regard the work you are doing as one of the grandest and noblest of any relief work that is being done.

—CHARLES R. ERDMANN, Dayton, Ky.

I trust that the exhibition will prove a grand success so that the dark future that lies before these brave and unfortunate
victims of the just cause for which thev have fought will be brightened and their sufferings made less and easier to bear.

—FREDERICK J. BOSTON. New York.

That the art product of the day should thus find a place among the useful commodities in the crisis we are facing is good
to know. I wish it were a sign that in more subtle ways the constructive thought-life of artists and others as well might be
utilized in this war, in which the inner constructive and destructive forces of all human-kind seem pitted against each other.
There seems to be in this call for help for the blinded soldiers a process for freeing such inner constructive forces not only in the
great number of these afflicted men but also in those to whom this terrible misfortune sets free a moral imagination.

—IRENE BROWN, Hyannisport, Mass.

65

The most profoundly touching thing I have ever seen was a blind French soldier lunching under the trees on a summer
day in the courtyard of a country inn. He sang snatches of song and touched the flowers on the table with pitifully faltering
hands and tried to tell his companion, a lady, what color they were, or whether his hand was in the sun or in the shadows of
the leaves of the trees which he heard rustling in the gentle breeze, but which he could not see.

—CAMERON BURNSIDE, Paris, France.

The artist above all others can appreciate the terrible loss sustained by those who have been blinded in the war. To him
the eves are the gates through which the greatest joys of life enter and to close those gates, would be an affliction greater than
death itself— NORVAL H. BUSEY, New York.

FREEDOM OF THE SOUL

By Bert Poole, Boston

Dedicated to the Artist Soldiers uko haze lost their sight in the present war for Universal Peace, Liberty and Democracy.

Thou'st joyed with me in vivid hues, 'mid open fields and fens.
Where golden tones and distant blues the summer landscape lends;

We've sketched the purpling autumn hills, we've painted by the sea,
And mem'ry now recalls those scenes to thee, as well as me.

And what a joy that mem'ry brings; to thee, far more than me,
Thy fancies' flight hath angel wings, while mine more fettered be.

So let not thoughts of loss or gloom engross thy days and hours,
For still upon this earth is room for thy remaining powers.

They are of God. 'Tis not denied that He inspireth thee
And bounteous blessings will provide to thee as well as me.

Remain, brave soul, thou't done one turn for us who still have eyes;
Now show us how good cheer to learn, where present duty lies.

The greater glory comes to thee who braved the bursting shell,
Exalting to Diviner heights from out the battle's hell.

Together shall we still press on, till LIBERTY remain,
WHEN FREEDOM OF THE SOUL is won, there is no loss, but gain.

It is a duty of all to help those who have fought and have lost for their brothers the most precious of all their heavenly
gift, and a double duty when we consider how they bear their misfortune with fortitude. It seems that all the blind of the
war have in mind the sonnet of Milton — "When I consider how my light is spent." The prevailing point in helping the blind
is to urge them to believe that thev have not become useless or entirely dependent upon others.

—LOUIS H. S. CALEWAERT, Rome, Italy.

Lives there an American who will not say, "O ! noble Frenchmen, you who first led us into the beautiful fields and hills and
taught us how to see and how to paint Nature; you who first trained our eyes to see its truths and beauty that we Americans
might find our lives enriched by better Art, now that the black night has overtaken you, we come to you! We give our
hearts; we lend our eyes that you may find somewhere in God's fields and hills great compensation. And blinded though you
are, w-e know that God has set the palette for the masterpiece that you have visioned, and we come to you with heart and
hand; with all our strength to help you complete the great Masterpiece of World Liberty."

— L. M. CHURBUCK, Brockton, Mass.

The appeal made by your Fund cannot fail to bring in a hearty response from the artists, who surely realize an unspeakable
affliction in the loss of sight, and especially to those of their profession. Kipling in "The Light That Failed " expressed strongly
the pathos of that misfortune.— OSCAR R. COAST, Santa Barbara, Cal.

The little gift I make for my blind brothers is not really a gift; it is an inadequate attempt towards paying a debt of honor
which I owe to those who have accepted suffering and darkness now, for the sake of the great Vision of liberty and justice.
Their night will end in the Beatific Vision !— GENEVIEVE A. COWLES, South Byfield, Mass.

No more the Primrose Path can read
Those Blind from whom the light has fled.
One comforting thought is left to these

That fought and bled.
Not in vain they gave. But in Civilization's
March to Freedom and Liberty, they have led.

—FREDERICK K. DETWILLER, New York.

It is a blessed privilege, indeed, that we can in any way be of service to our brothers who have given and who are still
giving through sacrifice and suffering so full a measure of devotion to the "Great Cause of Liberty and Justice throughout the
World." It is as the sowing in "God's Garden of Love" that shall bring forth the flowers of "Peace On Earth, Good Will
Toward Men." Our dear brothers have truly given of themselves that there may be more Light, more Truth, more Love in
the world, and though they miss the Light of day, we know through God's Word and through experience of Life itself that,
there is a "Greater Light" that shines within that cannot be taken from them and that will shine brighter and brighter unto
"Perfect Dav," — aye they shall continue to reap as they have sown, full measure from "God's Garden of Love."

— F. USHER DE VOLL, Providence, R. I.

I wish your organization the greatest possible success in your efforts to relieve the distress and suffering of the blinded
soldiers in this terrible war. — W. H. DRAKE, Los Angeles, Cal.

God speaks through the beauty of His marvelous creation to all who have eyes to see. All who have eyes to see — see not.
But to have seen and then to be swept into an abyss of darkness, is God's greatest test in the understanding of the perfection
of His Wisdom. We who dwell on this round earth see but half. We can never see the whole. Therefore the suffering in
groping to understand intensifies the pain. Those of us all who are blessed in the possession not only of eyes, but of seeing
eyes, with reverence and tenderness give what we can to alleviate the intense pain of those who dwell in darkness.

— KATHERINE S. DREIER. New York.

There can be no greater sacrifice than the loss of sight to the youthful and strong. It is our duty to do what we can for
those who must live in darkness, especially when it is brought about in the fight for the freedom of mankind.

— DAVID ERICSON, Provincetown. Mass.

I hope my contribution will in a small measure bring a little message of cheer to some soldier who has been deprived of
his sight in this sacred cause of liberty and justice for which the world is at war.

—HELEN M. GOODWIN, Long Beach, Cal.

66

Of the many appeals I am receiving almost daily none so wring my heartstrings as those asking aid for those who have
lost what to me is God's greatest gift — sight. How man can endure it is beyond my understanding. Pain, yes, we suffer pa-
tiently, in the belief that it may be remedied, but to go groping through life depending on hands however willing, the thought
is unendurable! So I am cheerfully sending what I can and am grateful for the opportunity to do so.

—BEN FOSTER, New York.

Of all the noble efforts which have been made to assist those who have suffered in this cruel and wholly unnecessary war,
none is more worthy than the helping of the sightless, nor can too much praise be given to your administrative Committee which
brings sunshine into the lives of these sufferers by rehabilitating them economically and thereby, as you so well put it, making
them an asset instead of a charge to the community. — MAURICE FROMK.ES, Monomet, Mass.

As to an expression of opinion of your labor of mercy, it is so far above encomium that all worthy of appeal can only respond
to the utmost of their practical ability and be grateful to you for the chance. — CLARENCE M. GIHON, Paris, France.

A cry of terror thrills the trembling world,

The seas of wrath their burning torrents pour,-

Hear! Freedom calls us, sick of human gore,

To save her from the mad defiance hurled

To where she stands with banner still unfurled:

And one and all. as proudly as of yore,

We rise in myriads from shore to shore

To stem the tide that round her throne has swirled.

Each to his task! With life and limb the one.
With warmest heart-blood soaking foreign sand
Until, at last, a glorious victory won.
The vicious hydra's poisonous breath be gone.
The other, ours, to stretch to those a hand
W7ho saved but life in fight for Fatherland.

— IVAR ELIS EVERS, Ulster County, N. V.

I think your plan for making them (the blinded soldiers) useful members of society again, is of inestimable value to them
selves as well as their country.— KATHRYN GRAY, New York.

My heart is full of sympathy for those unfortunates who can never see the sunshine again, so I am glad to be able to con-
tribute a ''little bit" towards your helpful purpose. — W. T. HALSALL, Provincetown, Mass.

THE SOLDIER'S RETURN

By Mary B. Sawtelle

Staunton, Va.

Mother, I hear a step upon the stair.
It thumps, it stops, it comes again,

It is so slow —
Mother, why is it so?

Hark I hear a whispering voice —
Oh God, can that be he.
My father — so weak —
Oh mother — mother speak!

Mother, his hands feel for the knob —
I hear him sighing without
The door he cannot find —
Oh mother, is he blind?

Only one step within the room —
A heavy thumping of the crutch —
A cry to me and you.

Mother, what can we do?

He stands so quiet beside the door —
His hollow sockets with no eyes —
A whisper when he spake —
Mother, my heart will break.

His gaunt hands grasp his wooden crutch —
My mother covers her face —
Tears are falling like rain.
Mother, will he see again?

He does not speak, he cannot see,
The stump hangs limp from his hip —
His face is ashen white.
Mother, for him it is night.

The loss of sight: who can describe its terrors ? "Let me die," cries the one whom such a calamity overtakes. Gone for-
ever are the beauties of nature and art. The golden dawn, the azure sky, the cloud palaces, the rolling hills, the extended
plains, the rugged mountains, the snowcapped peaks, the surging sea, the winding river, the light of day, the glory of sunset,
the evening shadows, the starry heavens, the infinite display of color — all have fled away and only a dream remains. And the
works of man: the great masterpieces, priceless statuary, mechanical wonders, stately cathedrals, towering monuments, marble
palaces, and imposing public buildings — impenetrable darkness obscures them all. What a mighty, boundless sweep of nature
is possible to the eye; and what a world of beauty vanishes when sight is lost. — LEE HAYES, Butte, Mont.

We cannot restore the sight of these brave men, but we can assure to them an occupation and comfort. The service they
rendered extends to all future civilization and liberty. Let us do our duty as they have done tlu-irs.

—MARION HOWARD, Washington, D. C.

It seems to me that anyone piving his eyesight in our defence has more than given his life, with the difference that he is
still accessible to our gratitude.— JOHN MEAD HOWELLS. New York.

67

I think it is the duty of every one to do something for those unfortunate men who have lost their sight (the most terrible
of all afflictions in my mind) in defending not onlv their own countrv but all the civilized world.

—CHARLES H. HUMPHRIES, New York.

Our hearts go out to those disabled "in this war, particularly to the artists and their families, and it is with a thrill of pleasure
that this opportunity is found to do something definite for them.

— D. HOWARD HITCHCOCK, Honolulu, Hawaiian Islands.

It is a privilege to be able to contribute my work to such a fund. — ESTHER HUNT, Los Angeles, Cal.

We who have the incalculable blessing of sight cannot realize what it means to be suddenly deprived of it, but if we who
have eves may use them to bring some little comfort to those blinded in this great war, it is our blessed duty and privilege.

—SARAH NOBLE IVES, New York.

Permit me to say I deem it a great privilege to contribute to a most worthy cause, and sincerely hope the heartfelt appeal
that has been made will be bountifully blessed with many sympathetic responses. — ROLSTON KEELER, New York.

Isaiah 42:16 — "And I will bring the blind by a way that they knew not; I will lead them in paths that they have not
known; I will make darkness light before them, and crooked things straight. These things will I do unto them, and not forsake
them.'' I believe that the law of Creative Mind, or God, is greater than all else, and through the fundamental logic of its con-
structive power is able to overcome and master every adverse circumstance. — MABEL KEY, Milwaukee, Wis.

It is very fitting indeed that the artists of America should help in this worthy cause by giving a part of themselves to the
relief of the blinded soldiers who have lost that precious sense of sight through which alone the works of art can be appreciated.

—AUGUST KLAGSTAD, Minneapolis, Minn.

Permit me to say that I truly feel and very deeply so grateful that I should be enabled to possess your letter which in its
appeal goes straight to its mark; touches both the heart of the true workman and that of the lover of all beauties of Nature and
of good works done by man when shaped for the cause onlv in the interest of Peace and of Humanity.

—CARLTON JULES KUSCHE, Oshkosh, Wis.

I surely consider it a great privilege to be able to help in my small way such a wonderfully great Cause, for among the
many ways of serving suffering humanitv, I consider this of helping the blind one of the greatest.

—LAURA D. S. LADD, Philadelphia, Pa.

I am so very, very glad to have the opportunity offered me to do my bit for those who have made so great a sacrifice for
me and mine and for my country's welfare.— M. RACHEL LAZARUS, Shady, N. Y.

I heartily wish this good work every possible success, as all things pertaining to the welfare 0/ my beloved country and
certainly to those brave countrymen defending it is very dear to me.

"Not what we give, but what we share

For the gift without the giver is bare;

Who gives himself with his alms feeds three. —

Himself, his hungering neighbor and Me."

—MARIE E. HENRY LICHTENSTEIN, New York

To us artists, no greater loss could be conceived, than the loss of sight. No greater sacrifice could a soldier make in the
cause of human right and justice. When the history of this war comes to be written, it will be found that the names of those
heroes who gave their lives for the cause, will occupy in the imperishable hall of fame, a niche onlv a little higher than those
men, who in the cause of freedom offered up their precious sight.— ROBERT FULTON LOGAN, Hartford, Conn.

In the great Scheme of Creation, "Let there be light" was the first Divine command. So, in our attempt to create a new
world freedom, shall not our first consideration be to give light in every way possible to those heroes who have entered into
life-long darkness to attain this freedom for us ?— ELSIE MOTZ LOWQpN, Dallas, Texas.

It gives me the keenest pleasure to be able to serve — though in a small way — those who have given so much for the cause
of freedom — who have become blinded in the service. To no one perhaps more than to a painter, can this sacrifice seem so
great.— FLORENCE LUNDBORG, New York.

No cause seems more worthy than this one of helping the blind soldiers and sailors and no phase of this dreadful war is
more touching. I sincerely wish it were in my power to do very, very much more. — JULIA M. MASSIE, New Orleans, La.

I thank you heartilv for the privilege of helping, in ever so small a way, and hope that I may in the future be led to do
more.— ELOISE MONTGOMERY, Monteagle, Tenn.

I consider your cause the most worthy of all — as blindness is about the worst affliction that can befall a human being.

—FREDERIC NUNN, West Philadelphia, Pa.

Our heart and best wishes go to the sightless victims of this war. We pray that the good God grant them, as he did to
the blind Milton, the great joy of a clearer vision of His own Eternal Beautv and Goodness.

—MARIE a«d E. M. DE HOA LE BLANC, New Orleans, La.

It seems to us artists, to whom our precious vision is all in all, that these poor fellows have given more than all, that justice
and liberty may triumph.— ROBERT FULTON LOGAN, Mystic, Conn.

If my little mite is of aid to a blinded hero of this war for liberty against hypocritical and blasphemous autocracy, I shall
be grateful.— CHARLES WM. MacCORD, Bridgeport, Conn.

■Our great teacher Jesus of Nazareth said "He that loseth his life for my sake shall find it." These words have lost none
of their truth during the centuries since uttered, and do apply today to the heroic soldiers who have and are now with selfless
nobility standing for the saving of the race and the brotherhood of man. The flame-swept forest on the mountain side springs
anew into verdure bud and blossom. To requite even in a measure the sacrifices of the valiant soldiers of France by helping
them to usefulness now and securitv for the future, is but another note in the hymn of freedom.

—FLORA T. McCAIG, Chicago, III.

68

No sacrifice which we can make, will ever repay our obligations to those of our brothers who willingly and freely gave them-
selves to save mankind from slavery to an unscrupulous autocracy; and those of them who have survived, separated by con-
tinued darkness from the rest of the world, must be regarded and considered even unto the last as civilization's most precious
wards, for whom it will always be an honor and a privilege for free men to provide.— JAMES P. McRICKARD, New York.

I think every one yearns to be able to do his or her "bit" towards relieving the suffering of those who have offered their
lives on the Altar of Liberty and Justice, and I am sure many "ill welcome the opening you point out.

—LAURA M. D. MITCHELL, Alhambra, Cal,

Among the many worthy efforts to relieve the untold suffering and misery caused by this terrible war, there is none which
appeals so stronglv to the artists, to whom sight is an absolute necessitv, as the wonderful work which your Committee is accom-
plishing.—EDWARD L. MOSS, StockbHdge, Mass.

I thank vou for the pleasure you have afforded me in enabling me to take part in so noble a work.

— CORINNA M. MURIA, New Orleans, La.

Yours is indeed a work in which artists should gladly aid, not alone because they can best appreciate what the loss of
sight means, but because many, being prevented by their profession from sharing more fully in the great struggle going on
today, will find in your activity a means of helping the cause. — WALTER PACH, New York.

"LET THERE BE LIGHT!"
By Will Coffee, Philadelphia.

( To those blinded in battle)

"God said, 'Let there be light,' " and lo! there came
From Chaos — order; and the great gold Flame,
His servant, rainbow-hued the earth, fresh
From His hand, with all the glorious mesh
Of shimmering color; pulsing joy, aglow
With life ! Ah, this was ours, 'twas ours to know
The brightness of it all, till that red shock
Came in the black turmoil, as if to mock
At death all merciful! God pity us!

Christ pity us!
And lead our souls from out the night.
And bring us home to Thy sweet light;
Nor let the darkness come between
Thy rest and us. With peace serene

Christ comfort us.
"God said, 'Let there be light.'"

No war work for the benefit of the heroes of this terrible world struggle is of greater moral value than that performed by
your society. The Blind Relief War Fund is a noble effort to bring light and hope into the lives of those doomed to live in
darkness and despondency. It is a privilege to aid in the work. — GEORGE PEIXOTTO, Paris, France.

Outward blindness often gives inward sight.— GEORGE DECATUR POND, Leonia, N. J.

It seems just and right that all who find life rich and beautiful and varied in interest, by power of vision, should do all
that is possible to make life endurable fur those who have lost that power by offering their lives fnr their ideals.

HENRIETTA M. SHORE, Los Angeles, Cal.

We artists can only gladly give of their work whatever its fraction of value may be, and fur blinded French artists there
is a claim more personal, for most of us have had some little benefit of study there.

—ALICE BARBER STEPHENS, Moylan, Pa.

That such splendid, able-bodied men should be rendered unnecessarily helpless through loss of sight, is too pitiful! And
I am very glad that there is such a society as yours that is trying to make their lot more bearable.

— SULAMITH SOKOLSKY. New York.

Your appeal touches deeply the heart of the artist to whom the sense of sight is above all else in the world, and the loss
of which renders those who are robbed of that sense the most tragically pathetic victims of the horrors of this war.

—AGNES TAIT, New York.

I am eager to help in so noble and so moving a cause as that of the Permanent Blind Relief War Fund.

— PATTY THUM, Louisville, Ky.

There is no object that could make a stronger appeal to me. The most horrible thing in connection with the war is the
awful number of maimed who will be left in its wake, and of these the saddest case is that of the blind. And from all account,
the sportsmanlike courage with which they accept their condition is inspiring.

—HENRY W. TOMLINSON, Valley Cottage, N. Y.

I consider it a pleasure as well as a privilege to contribute a picture to your Fund which I think is one of the worthiest of
the many now asking for public support.— C. P. TOWNSLEY, Pasadena, Cal.

I consider it a great honor to have the privilege of contributing any of my work, be it ever so little, towards the relief of
suffering humanity. I wish that I could make it a hundred fold more. — A. R. VALENTIEN, San Diego, Cal.

To know the French people is to love them. This war which has caused them such terrible suffering and sacrifice has
also revealed to the world the fact of their greatness, their high ideals and tenacity of purpose. I fain would cry so that they
and the whole world might hear "Vive la France et la justice!" — FERDINAND G. WALKER, Louisville, Ky.

All artists and all men and women of imagination and feeling know what it would be like to be blind. Your body may
be maimed, a limb may be gone and still life and light can go on. But to the blind all is darkness. They have seen life and
they cease to see. They have walked the path with courage, now they must grope their way in fear. If these blinded men
had flinched before the frightful blows of Prussian terrorism this world that we live in would be dominated to-day by a soul-
crushing, pitiless machine. Can we not show kindness, pity, and gratitude to those who have fought that kindness, pity, and
gratitude "shall not perish from the earth"? — JOHN D. WHITING, New Haven, Conn.

69

I feel you are doing a wonderful work and wish you every possible success. Naturally 1 want to help you with my own
personal contribution.— HELEN REED WHITNEY, Moylan, Pa.

The thought of the blinded men of France is a poignant one; France to me means the Light, Beauty, Heart, Brain of the
world. I owe to her my comprehension of art, and such ability as I possess. All that is dearest to me in my life and work,
France has freely given me, and to use her gift, to in some small degree, comfort those who have given the most precious of the
senses in saving her to the world, is a privilege as well as a duty. — DEWING WOODWARD, Ulster County, N. Y.

The cause is one which engages the sympathy and interest of all artists. — E. WOODWARD, New Orleans, La.

SKETCHES AND A PICTURE.
By Kate Lesh Cotharin, Boston.
Dawning and afterglow,
Carpets of gold,
Glazed snow.
Days and years
Of Light.

Dawnings still, and afterglow,
Spring's golden carpet,
Winter's snow.
But — davs and years
Of Night.

Over a trackless desert
The silenced, sightless caravan
Passes.

The desert lamps —
God's stars — hang low.

Christ guided
All the way — they go.

"And as Jesus passed from thence, there followed Him two blind men crying out and saying, 'Have Mercy on us, 0 Son of
David,' and when He was come to the House, the blind men came to Him — And Jesus saith to them, 'Do you believe that
I can do this unto you ? ' They say to him ' Yea Lord.' Then He touched their eyes, saying, ' According to your faith, be it
done unto you." And their eyes were opened." Let us not forget He also said, "Greater things than these shall you do if you
believe in me." We must do them now. — CONSTANCE T. TOWNE, Noroton, Conn.

The appeal must touch very closely those of us who live by our eyes and through our eyes. To be forever denied the
blessing of sight seems to me one of the most cruel afflictions which this terrible war has brought upon mankind, and I am only
too happy to give you one of my pictures if it will mitigate the agony and suffering of some poor victim.

— E. H. WUERPEL, St. Louis, Mo.

The situation of the blind soldiers comes nearer home to me than to many, as I have had in a pretty lonely life, all sorts
of trouble with my eyes. Had I the funds of many an opulent citizen I should by all means consecrate much of my means
towards the cause of the blind in the keenest appreciation of the fact that I possessed the most valuable sense that a gracious
Creator has given us.— ROBERT VONNOH, New York.

If you pour all your powers into any work you are able to do and to love — if you love to work — your life will be a happy
one. If you endeavor hour by hour and week after week to learn to work hard, intensely, you will soon feel the joy of Creating
That feeling fills the heart and soul with light by its uplifting inspiration. You know that character is power, knowledge is
power— and these are yours if you wish.— E. MENDELHALL CHURCHMAN, Philadelphia, Pa.

Those brave men who have lost their sight in this war, may, by our efforts, be aided in their needs in this life. This may
lead to their receiving a Spiritual Sight — so, that though bodily, they are in darkness, their Minds will be in the Light.
—FRANK DE HAVEN, New York.

This is not a war of peoples but one of Savagery against Humanity — of darkness against Light; therefore no more fitting
aid can be given its victims than to those who have given their light for the sake of the Light of the World.

JOHN BREYFOGLE-WINSTANLEY, New York.

70

Institutions Maintained in France

by the

American— British— French— Belgian
Permanent Blind Relief War Fund

{Under the official administrative direction of the French Government)

The Chateau de Madrid, in the Bois de Boulogne, Paris. One of the finest
and most up to date institutions in the capital, although the structure dates from
the Middle Ages, where blinded officers and soldiers are welcomed for the period of
their convalescence and where they are taught Braille reading and typewriting
and whatever other useful pursuit thev elect to adopt. The chateau which is in
most beautiful surroundings, contains 100 rooms and 30 baths. Payment of the
rent for the period of the war has been assumed by M. Jacques Seligmann, the well-
known antiquarian of Paris.

Industrial School for Blinded Officers and Soldiers, 27 Boulevard Victor
Hugo, Neuilly, near Paris, known officially as Hopital Benevole 23 bis. Here
instruction is given in the most lucrative industrial trades and commercial occupa-
tions. Knitting by machinery is taught to married men, and a brief course also
is given to their wives. A machine is presented to them when they have com-
pleted their instruction, and as the articles they make, from ladies' sweaters of the
latest style to socks, caps and mittens, are in great commercial demand, they are
able to earn a very comfortable living indeed in their own homes. The building,
which at the outbreak of the war was fitted up as headquarters for General Joffre
and his staff, contains 80 beds, spacious rooms, a gymnasium and a concert hall.
The rent is contributed by Mrs. George A. Kessler.

Raw Material Depot, 31 Boulevard Richard Wallace, Neuilly, near Paris.
Here machines, tools and raw materials are kept for the accommodation of blind
soldiers, who having learned a trade have been established in business in their own
homes. This place is given rent free by Mrs. Leopold Kahn.

Home for Blinded Soldiers and Their Families from the Devastated Re-
gions, La Garenne-Colombes, near Paris. Many of these families were in most
pitiable plight because landlords in Paris and its vicinity would not accept these
poor and helpless people as tenants, and they could find no permanent lodgment
anywhere. Diversified trades are taught here to the men and the other members
of the family able to work until they are capable of supporting themselves. Then
fully outfitted they leave to start life afresh and make room for others. The rent
of this institution is paid by Mr. and Mrs. MacConnell.

La Roue (The Wheel), 75 Avenue des Champs-Elysees, Paris. Braille Print-
ing establishment and library, founded by Miss Alice Getty. Here books of in-
struction and recreation, calendars, and other "literature" are turned out. To
date nearly 4,000 volumes have been printed. Every month two or three books
are sent gratis to each person on the Fund's list. The rent of this workshop is paid
by Mr. H. H. Getty and Miss Alice Getty.

7i

a

Quarters and Workshops for Blinded Belgian Soldiers, Port Villez, near Ver-
non. Here diversified trades also are taught. This place was established at the
request of the Belgian Government. These blinded men are all from Flanders
and do not speak French. They were in consequence most unhappy and home-
sick in the French Government institutions where they were first accommodated
and little or nothing could be done with them. Port Villez is a great hospital
centre for the Belgian armv, hence their Government's wish that they should, if
possible, be transferred there. Immediately on receipt of the appeal our Fund
constructed the necessary living quarters and workshops, and the blind men, re-
united with their families and among their own people and with their future well
being assured are happy once more.

Chateau de Rochecorbon, near Tours. This has accommodation for 100 men
and has been fitted as an industrial school on lines similar to the other institu-
tions described.

European Executive Offices of the American-British-French-Belgian Perma-
nent Blind Relief War Fund, 75 Avenue des Champs Elysees, Paris.

In addition to establishing and maintaining these places the Fund has caused
to be pensioned by individual American sympathisers with its work 37 blinded
soldiers who have also lost limbs; that is to say, these generous Americans have
undertaken to double as long as the beneficiaries live, the inadequate pension of
S240 a year allowed by the French Government. It has purchased cottages for 24
graduates from its institutions and established them in business. It has started
280 others in business and paid their rent for one year, and up to April 15th the
Raw Material Depot had filled 2,218 orders.

AID GIVEN TO OTHER ORGANIZATIONS

Apart from its own work, our Fund has donated to the following organizations
upwards of $> 160,000:

American Red Cross L'Aide aux Soldats Aveugles

American Jewish Relief Commission Polish Relief Fund

Abri du Soldat Aveugle Pret d'Honneur aux Soldats Aveugles

Association Valentin Haiiy Rumanian Red Cross

British-American War Relief Fund Secours National

Commission for Relief in Belgium Societe des Amis des Soldats Aveugles

Ecole de Massage des Soldats Aveugles Societe des Ateliers d'Aveugles

Foyer du Soldat Aveugle

Permanent Contributors to

St. Dunstan's, Regent's Park, London,

After Care Fund for British Blinded Soldiers and Sailors

Our Entire Equipment has been placed at the disposal
of the United States Government without any reserva-
tion whatsoever for the American Blinded Soldiers.

The upkeep of these institutions is necessarily heavy and it is increasing every
day with the advance in the cost of living and of materials which frequently
doubles overnight. Hence our need for funds is constant and urgent. We have
unbounded faith that you will help us to meet this need.

72

Let Your Money
Do Double Duty

Now that you have done your duty to the
United States Government and helped
it to win the war by buying Liberty
Bonds and War Savings Stamps, let
your money perform a doubly sacred
purpose. Turn over as many of these
bonds and stamps now as you can to
the American - British - French - Belgian
Permanent Blind Relief War Fund to
put a blind soldier and his family on
their feet. Send them to

EUGENE V. R. THAYER

Hon. Treasurer
590 FIFTH AVENUE NEW YORK

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The Colorplate Engraving Co . N Y

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